Showing posts with label Jörn Donner. Show all posts
Showing posts with label Jörn Donner. Show all posts

Friday, September 25, 2009

Kuulustelu / The Interrogation

Förhöret. FI (c) 2009 Jörn Donner Productions. P: Jörn Donner, Misha Jaari, Mark Lwoff. D: Jörn Donner. SC: Olli Soinio. DP: Pirjo Honkasalo. M: Pedro Hietanen. CAST: Minna Haapkylä (Kerttu Nuorteva), Marcus Groth (Paavo Kastari), Hannu-Pekka Björkman, Pertti Sveholm (Arvo "Poika" Tuominen), Lauri Nurkse, Kristiina Elstelä, Marja Packalén, Mikko Reitala, Markku Maalismaa, Uula Laakso, Rea Mauranen, Ursula Salo. 110 min. Released by Walt Disney Motion Pictures Finland with Swedish subtitles by Janne Staffans. Viewed at Kinopalatsi 5, Helsinki, 25 Sep 2009 (the first public screening).

A digital video look. - Produced for television, this excellent film was taken up for a cinema release. - It is the true story of the Soviet spy Kerttu Nuorteva (born in America 1912, died in Kazakstan in 1963) who was sent to Finland during the war via parachute from Soviet Karelia, caught by the Finnish security police and interrogated. - A strong historical movie casts a light into the circumstances in Stalin's Russia and into the purges in which some 20.000 Finnish communists were murdered in the late 1930s, including almost the whole group of Finnish left-wing intelligentsia who had escaped white terror to East Karelia. - It also shows the struggle for justice in Finland during wartime, when there were German-oriented leaders like Anthoni leading the Finnish state security police. - A film of multiple contradictions and bitter ironies of history. - Kerttu Nuorteva has a mental breakdown as she learns more fully about Stalin's terror from Arvo Tuominen, a former Communist leader, who defected to the West during the war. - Shot in intensive close-ups and medium shots by Pirjo Honkasalo, but apparently in digital video. No other Donner film has looked this shabby on screen. - Pedro Hietanen has created a moving score. - Donner has returned as a cinema film director after a pause of 25 years, and this film may be his best. - This film and Raja 1918 (The Border 1918) are a promising opening in Finnish cinema into really thought-provoking historical films.

Wednesday, May 20, 2009

Pyhä perhe / [Family] / [The Holy Family]

Perhe [title on screen] / Familjen. FI (c) 1976 Jörn Donner Productions. EX: Jörn Donner. D+SC: Anssi Mänttäri - based on the play Familjen (1974) by Claes Andersson. DP: Heikki Katajisto - Eastmancolour - 1,66:1 - 16 mm blown up to 35 mm. M: Asko Mänttäri. S: Jouko Lumme. ED: Juho Gartz. CAST: Lasse Pöysti (Paavo Mäkinen), Birgitta Ulfsson (Terttu Mäkinen), Rita Polster (Marja Mäkinen), Martti-Mikael Järvinen (Tapsa = Tapio Mäkinen), Sanna Fransman (Sanna = Susanna Mäkinen), Mikko Majanlahti (doctor), Marja-Sisko Aimonen (Miss Vuorio). 101 min. A KAVA print with Swedish subtitles by Anna-Lisa Holmqvist. Viewed at Cinema Orion, 20 May 2009.

The quality of the definition varies: soft in the beginning, it gets better at times. This seems to have been the trouble also originally. Colour ok. - Lauri Tykkyläinen writes to me on 25 May that the film was shot on 16 mm, and that the blow-up methods at the Suomi-Filmi laboratory were not at their best when this film was printed. - The story of a bourgeois nuclear family whose entire energy circles around the father's (Lasse Pöysti) alcoholism. The mother (Birgitta Ulfsson) refrains from divorce for economic reasons and to protect the children. The elder daughter (Rita Polster) sleeps around, the son (Martti-Mikael Järvinen) annoys his parents with Marxism, and the younger daughter (Sanna Fransman) plays hookey from school. - The first turning-point is when the father goes to a alcoholists' sanatorium and returns sober, an absolutist. His personality changes, he starts to study English and annoys his secretary with his erroneous advice. - Now the mother goes mad, is hospitalized, and when she returns home, the tables are turned. The mother and the children share a cognac, the father is shut out, needs fresh air, and the circle is closed when he is heard from the yard yelling, stone drunk again. - I have not seen the play. This is one of the few adaptations in Mänttäri's oeuvre. Also the casting of the masterful Pöysti and Ulfsson (a real-life couple) is from the stage production. - Although an adaptation, this is an essential block in Mänttäri's building, often related to King Alcohol. - The terrible psychodynamics of the family has an affinity with Cassavetes (A Woman Under the Influence). - This is a story of hell on earth. There is a ring of truth in every scene. - The debut film of Sanna Fransman and Rita Polster. Marja-Sisko Aimonen is excellent in her role.

Sunday, September 14, 2008

THE 1980S SEEN BY FINNISH CINEMA: SEMINAR DAY 2

The 1980s Seen by Finnish Cinema: the seminar day 2 at Cinema Orion, Helsinki, 14 September 2008. Organized by The Risto Jarva Society together with National Audiovisual Archive
12.00 From the Lookout Spot of the Critic: Helena Ylänen Interviewed (by Eero Tammi)
13.30 Directors' Panel - the Circumstances of Film-Making Then and Now, with Jarmo Lampela, Timo Linnasalo and Claes Olsson, moderator: Kaarle Stewen
Helena Ylänen was the main film critic in Finland in the 1980s, and Kaarle Stewen edited a high profile tv programme on films, and they both had a complete view about that decade's developments in the Finnish cinema. Both had a warm, personal touch, and presented many sharp insights from today's perspective.
Excerpts seen from the 1980s from Kaarle Stewen's Valkokangas (Silver Screen) TV programme:
- Jörn Donner meets Spede Pasanen (1981)
- Timo Linnasalo at Nurmijärvi (1984)
- Matti Ijäs and Koomikko (The Comedian) (1983)
- Tulipää at Cannes, with Pirjo Honkasalo and Pekka Lehto (1981)