Will Day III - Le Cinéma des origines

/ / GB / 1890 / Friese-Greene, William / non-fiction
Hyde Park, London. Vertical 65mm transferred to 35mm. 1’.
King’s Road, Chelsea, London. 60mm transferred to 35mm. 1’.
Stereoscopic Film: Hyde Park. 155mm transferred to 35mm. 1’. The greatest treasures of the Will Day collection: the Friese-Greene fragments probably represent ”the world’s first films on celluloid, the first perforated films, and the first films shot on outside locations” (DR). They look beautiful today transferred to the standard film format.
/ / FR / 1896 / Demenÿ, Georges / non-fiction PC: Gaumont-Demenÿ, Comptoir Générale de Photographie. 58mm transferred to 35mm.
Station Ménilmontant, chemin de fer de ceinture
Dancing Girl No. 2
Débarcadère du bateau à vapeur Wilhelm Tell
Dispute espagnole / / US / 1897 / Mutoscope and Biograph / non-fiction PC: Mutoscope and Biograph Company. 68mm transferred to 35mm
[Halle au vin, No 1]
[Halle au vin, No 2]
[Cachette, La] / / GB / 1898 / Biokam camera / / non-fiction Short movies filmed on Biokam camera. 17,5mm transferred to 35mm.
Bain de mer No 1
Bain de mer No 2
Rival Clothiers, The / / GB / 1903 / Jumeaux & Davidson / non-fiction
Trichrome Experimental Film. Colour system by Benjamin Jumeaux and William Norman Lascelles Davidson. / / GB / 1912 / Friese-Greene, William / non-fiction
Posters On Hoarding. Colour system by William Friese-Greene, produced by Lascelles Davidson. / / GB / 1896 / Paul, Robert William / non-fiction
Engineer’s Shop At Nelson Dock
Westminster
Blackfriars Bridge / / GB / 1896 / Collings, Esme / / non-fiction
Children Paddling / / GB / 1899 / Bennett-Stanford, John / non-fiction
Troops Passing Over Mooder River / / GB / 1899 / Hepworth, Cecil / non-fiction
Arrival of Train-Load of Visitors at Henley Station