Viimeiset rotannahat. Impressio / De sista skinnena. FI (c) 1985 Filmiauer. P+D+SC: Anssi Mänttäri. DP: Heikki Katajisto - 1,66:1 - colour and b&w - lab: Johan Ankerstjerne. M: "Bad Morning Blues" (comp. Anssi Mänttäri, arr. Asko Mänttäri), "Uni tulee, uni tulee" (trad.) pres. A. Köster (voc) and Kollage. "Best With Beer" (Asko Mänttäri). CAST: Anssi Mänttäri (the man in the white suit), Sarina Röhr (the woman with a sound sleep), Taina Saikkonen (young intellectual woman), Riitta Havukainen (lecturer in semiotics), Eero Tuomikoski (Nuutinen, drunk CEO), Sanna-Kaisa Palo (Irma Manner, the woman who never stops talking), Aki Kaurismäki (Ville, son of the man in the white suit), Sallamaari Muhonen (Redhead), Marja Packalén (the ex-wife of the man in the white suit), Matti Pellonpää (father of the man in the white suit), Elina Hurme (Kaisa, the young moralistic woman), Eeva Eloranta (female theologist), Heikki Peltonen (male theologist), Ilkka Kylävaara (Väisänen, successful businessman), Titta Antti-Poika (Tiina, the woman with the car), Erkki Saarela (Pera, the good-natured man), Paavo Piskonen (Harri, the conceited man), Kristiina Repo (Seija Pikkaranen, the woman who hates poverty), Pirkko Hämäläinen (Riitta, the bitchy woman), Jyrki Kovaleff (the honest working man), Sanna Fransman (the woman next door), Kari Väänänen (psychiatrist), Ann-Cathrine Fröjdö (not just a skin). Viewed at Cinema Orion, Helsinki, 3 June 2009.
The image in the print varied from good to grainy. - A fascinating Bukowskian odyssey starring the director himself as the man in the white suit, who conquers almost any woman in a series of superficial relationships. With witty dialogue, the film is constantly interesting, and with a hidden despair beneath. - The framing story reveals the burned-out old man giving his account to a video camera. The white suit is now folded on the chair. - It is a satire on a life based on easy gratification, short attention span, self-centeredness, about always taking the easy way out. - This film was not a success at its time, but it has stood the test of time well. There is not a dull moment in it.
The image in the print varied from good to grainy. - A fascinating Bukowskian odyssey starring the director himself as the man in the white suit, who conquers almost any woman in a series of superficial relationships. With witty dialogue, the film is constantly interesting, and with a hidden despair beneath. - The framing story reveals the burned-out old man giving his account to a video camera. The white suit is now folded on the chair. - It is a satire on a life based on easy gratification, short attention span, self-centeredness, about always taking the easy way out. - This film was not a success at its time, but it has stood the test of time well. There is not a dull moment in it.
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