Gefangene Seele

DE 1917. PC: Messter Film. D: Rudolf Biebrach. SC: Robert Wiene. DP: Karl Freund. Starring Henny Porten, Paul Bildt, Curt Goetz. 60 min announced, actually 75 min. Presented by Stefan Drössler, introduced by Jean-Francois Rauger. Viewed at La Cinémathèque francaise, Salle Henri Langlois, Paris, 21 April 2008. Premiere of the restored print by Münchner Filmmuseum preserved from a tinted and toned print. - Too slow at the speed projected. - A fascinating pre-Caligari film featuring many of the future talents of the golden age of German cinema. Visually fascinating. Striking mise-en-scène in several shots. Interesting pantomime. Strong Stimmung.

Das Cabinet des Dr. Caligari

Das Cabinet des Dr. Caligari, poster by Theo Matejko. Please click to enlarge.

011308 / 16 / DE / 1920 / Wiene, Robert / / horror
Cabinet des Dr. Caligari, Das / Tohtori Caligarin kabinetti. PC: Decla-Film. EX: Erich Pommer. D: Robert Wiene. SC: Carl Mayer, Hans Janowitz. DP: Willy Hameister. AD: Walter Röhrig, Walter Reimann, Hermann Warm. CAST: Werner Krauss (Dr. Caligari), Conrad Veidt (Cesare), Lil Dagover (Jane), Friedrich Fehér (Francis), Hans-Heinz von Twardowski (Alan). Silent b&w toned. Originally 1703 m /18 fps/ 82’. ZDF 1983 reconstruction with music, not toned by Gerd Luft and Jürgen Labenski based on the 1923 re-release with material from the Munich and SDK Archives, ca 74’. Finnish subtitles by Riitta Piironen. Silent frame uglily cropped to Academy. With the edges cut off, the beautiful title cards turn illegible and the composition of the image is thrown off balance. Yleisradio TV2 transmission viewed in Helsinki, Sunday 18 January 1998. **** The film is one of a kind, still magnetic. One has to adjust to the twisted style to find the strange fascination and the black humour of the film. It is the first great zombie story of the cinema. This Luft / Labenski reconstruction was the best available 15 years ago, although the music and sound effects are best turned off at once. Today one should screen the 1995 Lumière Project restoration.

Raskolnikow (1991 NFM restoration)

Robert Wiene: Raskolnikow (DE 1923) with Grigori Chmara (Raskolnikov). Sets by Andre Andrejev. Cinematography by Willy Goldberger. Photo: La Cinémathèque française, Paris.

012128 / (banned 1923) / DE / 1923 / Wiene, Robert / / drama

Raskolnikow. PC: Neumann Film-Produktion. P+D: Robert Wiene. Based on the novel Crime and Punishment by F. M. Dostojevski. DP: Willy Goldberger. AD: Andre Andrejew. CAST: Grigori Hmara (Raskolnikov), Maria Kryjanovskaja (Sonia), Mihail Tarhanov (Marmeladov). Silent b&w. Restored version by the Netherlands Film Museum with contributions from Gosfilmofond. Munich print 3031 m /18 fps/ 147 min. Fine Finnish translation spoken by Laura Mehto. Presented by Kristin Thompson. Viewed at SEA, Helsinki, Cinema Orion, Tuesday 16 December 1997. *** The film, banned by the Finnish Film Chamber in 1923, was now seen for the first time in Finland. Part of the Russian fashion of the era, this one was actually filmed with actors from Stanislavsky’s Moscow Art Theatre. Full of soul but horribly overacted. One is struck by the difference with the subtle understatement of Jevgeni Bauer’s 1917 films. Still, this is faithful to Dostoyevsky: it has the passion for the suffering of humanity. The actual text of the novel is judiciously used in the titles, which take full advantage of the author’s grim sense of humour. The words sound good in German. ”Nach langem, schwerem Fieber…”. The Russian art director is totally under the influence of Caligari. This is one of the very few purely Caligarian films.