Vita lejoninnan, Den / Valkoinen naarasleijona. PC: Sveriges Television. P: Gertrud Bengtsson. D: Pelle Berglund. Based on the novel by Henning Mankell. CAST: Rolf Lassgård, Charlotte Sieling, Jesper Christensen. 104’. 1,85. DIST: Walhalla. TRANS: Janne Staffans. Viewed at VET, Helsinki, on Wednesday, 10 September 1997. *** Capetown, South Africa and Ystad, Sweden, in 1994. A South African contract killer is caught in the city of Ystad. Inspector Kurt Wallander, portrayed for the third time by Rolf Lassgård, gets to solve the international mystery. The story is exciting and the film-makers have a feeling for the several locations. The momentum is somewhat lost in the middle but rises again in the final reel when the Jackal-style assassination plan is about to be realized. The center of the action is the bear-like Wallander, a brave and clever man who is shy and clumsy with those closest to him. This is a fine Nordic contribution to the detective genre.
Wednesday, September 10, 1997
Den vita lejoninnan
Vita lejoninnan, Den / Valkoinen naarasleijona. PC: Sveriges Television. P: Gertrud Bengtsson. D: Pelle Berglund. Based on the novel by Henning Mankell. CAST: Rolf Lassgård, Charlotte Sieling, Jesper Christensen. 104’. 1,85. DIST: Walhalla. TRANS: Janne Staffans. Viewed at VET, Helsinki, on Wednesday, 10 September 1997. *** Capetown, South Africa and Ystad, Sweden, in 1994. A South African contract killer is caught in the city of Ystad. Inspector Kurt Wallander, portrayed for the third time by Rolf Lassgård, gets to solve the international mystery. The story is exciting and the film-makers have a feeling for the several locations. The momentum is somewhat lost in the middle but rises again in the final reel when the Jackal-style assassination plan is about to be realized. The center of the action is the bear-like Wallander, a brave and clever man who is shy and clumsy with those closest to him. This is a fine Nordic contribution to the detective genre.
Tuesday, September 09, 1997
L.A. Confidential
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| Curtis Hanson: L.A. Confidential (US 1997). Kim Basinger (Lynn Bracken), Russell Crowe (Bud White), Guy Pearce (Ed Exley), Danny DeVito (Sid Hudgens), Kevin Spacey (Jack Vincennes). |
Sunday, September 07, 1997
Limelight
38085 / G / US 1952 /Chaplin, Charles /drama
Limelight / Parrasvalot. PC: Celebrated Films. P+D+SC+M: Charles Chaplin. CAST: Charles Chaplin, Claire Bloom. 140’. B&w. Viewed at SEA, Cinema Orion, Helsinki, on Sunday, 7 September 1997. The print was fine. The screening ran 137’. **** I had had difficulty adjusting to Limelight because Chaplin is not funny in it. But the point of the film is that Calvero the comedian no longer makes people laugh. Even more importantly, Chaplin no longer is the center of everything. This is a film about devotion to another. Claire Bloom radiates in her difficult breakthrough role. Previously I resented the emotionality of Limelight. This time, I cried as soon as Chaplin’s ”Song of Life” started to play during the opening credits. The sets are sometimes distractingly makeshift and the screenplay is too wordy. But faces speak more eloquently than words, and the whole cast is great.
Thursday, September 04, 1997
Eurodisc Playdisc for 10.39.08
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| Meredith Brooks: Bitch (US 1997) from the album Blurring the Edges. Music video directed by Paul Andressen. |
Puff Daddy & Faith Evans: I’ll Be Missing You **
Meredith Brooks: Bitch ***
Eternal Featuring Bebe Winans: I Wanna Be the Only One ***
The Wallflowers: One Headlight ***
The Brand New Heavies: You Are the Universe **
Az Yet: Hard To Say I’m Sorry **
Michael Jackson: History ***
Sheryl Crow: A Change Would Do You Good ***
En Vogue: Whatever ***
Shola Ama: You Might Need Somebody ***
German Natdisc Playlist for 17.15.08
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| Members of Mayday: Sonic Empire (DE 1997). |
Wednesday, September 03, 1997
Once a Thief
Once a Thief / Zongheng sihai. PC: Milestone Pictures. D: John Woo. CAST: Chow Yun-Fat, Leslie Cheung, Cherie Chung. 110’. 1,85. Canton Chinese version with Finnish subtitles by DIST: Cinema Mondo. Viewed at VET, Helsinki, on Wednesday, 3 September 1997. ** Lunatic cat burglar story more resemblant of Hudson Hawk than Trouble in Paradise. The ballet-like action sequences and Chow Yun-Fat’s wheelchair dance are a joy to watch.
Tuesday, September 02, 1997
Blizna
Blizna / The Scar / Arpi. PC: Film Polski. D: Krzysztof Kieslowski. CAST: Franciszek Pieczka, Mariusz Dmochowski, Jerzy Stuhr. 104’. 1,66. DIST: Finnkino. TRANS: Jaana Wiik / Janne Staffans. Viewed at VET, Helsinki, on Tuesday, 2 September 1997. ** Kieslowski’s theatrical feature debut is clumsy - the second one, Amator (The Amateur, 1979), was already remarkably assured. Blizna shares the disconsolate realism of K’s documentaries. It experiments sparingly with sound and vision, and does not introduce very compelling characters. Kieslowski, himself, defined the film a case of ”socialist realism against the grain” with a major script problem. Worth seeing for Kieslowski aficionados.
M.D.C. Maschera di cera / Le Masque de cire / The Wax Mask
Vahanaamio. PC: A Cine 2000. P: Dario Argento. D: Sergio Stivaletti. Story: Lucio Fulci. CAST: Robert Hossein, Romina Mondello, Riccardo Serventi Longhi. 95’. 1,66. DIST: Finn Innovation Productions. Dubbed in English. Viewed at VET, Helsinki, Tuesday, 2 September 1997. BOMB. A remake of the 1932 The Mystery of the Wax Museum, already remade in 1953 as House of Wax, etc. The only new elements are nudity and gore. The director lacks talent, the actors are wooden, the photography is a far cry from the stylish heights of Bava and Argento, and the somnambulistic dubbing is the final nail on the coffin.
Monday, September 01, 1997
Conspiracy Theory
100381 12 US 1997 Donner, Richard thriller
Conspiracy Theory / Salaliittoteoria. PC: Warner Bros. P: Joel Silver. D: Richard Donner. CAST: Mel Gibson, Julia Roberts, Patrick Stewart. 135’. Scope. DIST: Warner Bros. Finland. TRANS: Timo Porri. Viewed at VET, Helsinki, Monday, 1 September 1997. *** Offbeat thriller plays its Manchurian Candidate premise for comedy. Mel Gibson stars as the deranged conspiracy theorist whose worst nightmares prove true. Julia Roberts performs strongly as the agent who has to face a major case of suspension of belief. Reasons to like this: the two fascinating performances and Carter Burwell’s surprising score.
Sunday, August 31, 1997
KEY TO THE CHAIRMAN'S DIARY
The latest capsule review appears at the top of the page. The information is in the following order:
The register number of the Finnish Board of Film Classification. The main register (having now reached 100381 etc) was established in 1911. The separate register for Finnish films, here marked with the letter A, was established in 1933. The register marked with the letter V contains straight-to-video programmes examined by VET. The register marked with the letter I contains straight-to-video programmes registered but not examinded by VET.
The rating ( G - 6 - 8 - 10 - 12 - 14 - 16 - 18 - banned). G = general audience = approved for all audiences. Banned are films with actual sadism, child molestation, cruelty to animals, etc.
The country of production (following the two-letter standard. FI = Finland, SE = Sweden, etc.)
The year of production
The author (usually but not always the director)
Genre
The original title
The Finnish title
PC = production company
P = producer
EX = executive producer
D = director
SC = screenplay
DP = director of photography
PD = production design
ST = costumes; stylist
AN = animation
FX = special effects
ED = editor
M = music
R = sound recording
CAST / FEAT = featuring
Location
The duration in minutes
The projection speed is the 24 fps standard unless otherwise indicated.
Of silent films, length in meters and projection speed /fps = frames per second/ is given when known. The silent speed can vary between 12-40 fps, sometimes within the same film.
The European PAL and SECAM television and video standards run at 25 fps. The calculation to get the cinema duration from the European video duration: multiply by 25, divide by 24. For example: Malcolm X runs 193’ on European video, 201’ in the cinema. To get the European video duration from the cinema duration: multiply by 24, divide by 25.
The aspect ratio is Academy (1,33-1,37) unless otherwise indicated
DIST = The distributor in Finland
TRANS = the translator of the Finnish and Swedish subtitles
VET = Valtion elokuvatarkastamo = The Finnish Board of Film Classification
SEA = Suomen elokuva-arkisto = Finnish Film Archive
The prints reviewed are 35 mm safety film prints, in colour and with sound, and in the original language version unless otherwise indicated.
B&w = black and white
The personal evaluation follows the Leonard Maltin scale from **** (the best) to BOMB.
The diary includes films viewed outside the Classification Office. The official ratings of old films may be dated, and the films might get a new rating if they would be classified today. For instance, almost all Finnish films of the 1940s with a 16 rating would be G today.
Tuesday, December 31, 1996
1996
In Los Angeles:
The Hunchback of Notre Dame (1996)
The Little Colonel
In Helsinki:
From Dusk till Dawn
Secrets and Lies
Twelve Monkeys
Kauas pilvet karkaavat
December 1996
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| Yasujiro Ozu: Kohayagawa-ke no aki / The End of Summer (JP 1961). |
7.12.1996 The Man Who Would Me King / Seikkailujen sankarit. GB/US 1975. D: John Huston. Sean Connery, Michael Caine. Orion
XXX
10.12.1996 Kvarteret Korpen / Korppikortteli. SE 1964. D: Bo Widerberg. Thommy Berggren. Orion
Saturday, November 30, 1996
November 1996, Helsinki
5.11.1996 Konsert dlja krysy / Concert for a Rat. RU 1995. D: Oleg Kovaljov. Orion
5.11.1996 A Walk with Love and Death. US 1969. D: John Huston. Anjelica Huston, Assi Dayan. Apparently the first screening in Finland. Orion
6.11.1996 Levoton veri / Restless Blood. FI 1946. D: Teuvo Tulio. Regina Linnanheimo. Orion
6.11.1996 Vostotshnaja elegija / Eastern Elegy. RU/JP 1996. D: Aleksandr Sokurov. Orion
7.11.1996 Mes petites amoureuses. FR 1974. D: Jean Eustache. Orion
12.11.1996 Mizrekh un mayrev / Ost und West / East and West. AT 1923. D: Ivan Abramson, Sidney M. Goldin. Molly Picon. Orion
12.11.1996 Jevreiskoe stshastje / Evreyskoe schaste / Jewish Luck. SU 1925. D: Aleksis Granovski. Solomon Mikhoels. Orion
13.11.1996 Uvletshenija / Passions. RU 1994. D: Kira Muratova. Orion
19.11.1996 Uncle Moses. US 1932. D: Sidney M. Goldin, Aubrey Scotto. Sholom Asch. Maurice Schwartz, Judith Abarbanel. Orion
20.11.1996 Zayn Vaybs Lubovnik / Zein Weibs Liebenik / His Wife's Lover. US 1931. D: Sidney M. Goldin. Orion
21.11.1996 Yidl mitn Fidl / Yiddle with a Fiddle. PL/US 1937. D: Joseph Green, Jan Nowina-Przybylski. Molly Picon. Orion
21.11.1996 Grine Felder / Green Fields. US 1937. D: Jacob Ben-Ami, Edgar G. Ulmer. Orion
26.11.1996 Zsvey Shvester / Tsvaye Shvester / Two Sisters. US 1938. D: Ben K. Blake. Orion - notes
26.11.1996 Der Dibuk / Dybuk / The Dybbuk. PL 1937. D: Michal Waszynski. Orion
27.11.1996 Amerikaner Shachen / The American Matchmaker. US 1940. D: Edgar G. Ulmer. Orion
28.11.1996 Undzere Kinder / Our Children. PL 1951. D: Natan Gross. Orion
Wednesday, October 30, 1996
October 1996, Helsinki
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| Philippe Garrel: J'entends plus la guitare / I Can No Longer Hear the Guitar (FR 1991). Dedicated to the memory of Nico. See also blog note 15 Oct 2008. |
2.10.1996 Freud / Salatut intohimot. US 1962. D: John Huston. Orion
4.10.1996 Laulu tulipunaisesta kukasta / The Song of the Scarlet Flower. FI 1938. D: Teuvo Tulio. In the presence of Rakel Linnanheimo. Orion
8.10.1996 O Fim do Mundo / The End of the World. PT/FR 1993. D: João Mário Grilo. Orion
8.10.1996 Ren xia ren / The Dead and the Deadly. HK 1982. D: Ma Wu. Sammo Hung. Orion
9.10.1996 Vihtori ja Klaara / [Bringing Up Father]. FI 1939. D: Teuvo Tulio. Orion
9.10.1996 Das Tripas Coração / Four Elements: Fire. PT/FR 1992. D: Joaquim Pinto. Orion
9.10.1996 Vale Abraão / Abraham's Valley. FR/PT/CH 1993. D: Manoel de Oliveira. Orion
22.10.1996 La Naissance de l'amour. FR 1993. D: Philippe Garrel. Orion
22.10.1996 Vampyr. DE/FR 1932. Carl Th. Dreyer. Orion
24.10.1996 Hélas pour moi. FR/CH 1993. D: Jean-Luc Godard. Orion
25.10.1996 Vampyr. DE/FR 1932. Carl Th. Dreyer. Orion
29.10.1996 J'entends plus la guitare / I Can No Longer Hear the Guitar. FR 1991. D: Philippe Garrel. Orion
30.10.1996 Rakkauden risti / The Cross of Love. FI 1946. D: Teuvo Tulio. Orion
31.10.1996 Sinful Davey / Syntinen Davey. GB 1969. D: John Huston. John Hurt. Orion
Saturday, October 12, 1996
Le Giornate del Cinema Muto, Pordenone, 12-19 October 1996
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| Herbert Brenon: The Rescue (US 1929), based on the novel by Joseph Conrad, produced by Samuel Goldwyn and starring Ronald Colman and Lily Damita. |
This year the rewards of Le Giornato del Cinema Muto were mostly of historical interest. The artistic substance was not on the level of the best years.
1. MAX DAVIDSON. Max Davidson the master comedian flourished simultaneously with Laurel & Hardy and others for Hal Roach, often with Leo McCarey as producer or director. Often Max plays a single father saddled with an idiot son and a marriage-hungry daughter. A couple of years ago we saw the brilliant Pass the Gravy and Flaming Fathers. Now we were lavished with "More Gravy" including Why Girls Say No, Jewish Prudence, Should Second Husbands Come First and The Boy Friend. Prints are scattered and difficult to access but the situation might improve as Davidson's reputation spreads.
2. HERBERT BRENON. The main retrospective, dedicated to Herbert Brenon, was a disappointment in artistic terms. Herbert Brenon was a great Hollywood director in the 1910s and the 1920s, but his oeuvre has not stood the test of time. I discovered two exceptions in the series of some 20 films. The Rescue (Samuel Goldwyn, 1929) is one of the finest Joseph Conrad film adaptations. The forgotten film has been recently restored by George Eastman House. Beau Geste (Paramount, 1926), the first interpretation of the often filmed subject, is a charming romantic adventure. Brenon's most highly regarded films are the fairy-tale fantasies Peter Pan (Paramount, 1924) and A Kiss for Cinderella (Paramount, 1925), both starring Betty Bronson, both absolutely worth seeing. They are personal works but not for every taste. I had trouble relating to the scantily clad, very feminine Bronson as Peter Pan.
3. IN THE LAND OF THE SOVIETS 1918–1924. Immediately after the Revolution film production in Russia halted, and the volume of production fell sharply. The Pordenone retrospective confirmed the assumption that the flowering of the cinema in Czarist Russia was followed by a steep decline until the start of "anni mirabili" in 1924. (Typically for GCM famous classics of 1924 such as Strike, Aelita, Kino-Glaz, and Mr. West were not screened. Only rarities were included). The historically exciting and unique series included for instance Dziga Vertov's train films, Kuleshov's experiments and Eisenstein's first sketch, Glumov's Diary. Of the early directors were also on display Aleksandr Rasumny and Vladimir Gardin. Rasumny's Mother (1920), the first film adaptation of Gorky's novel, is more complex than Pudovkin's, and its sense of the milieu is more densely realistic. In a class of its own was Suram's Fortress (1923, directed by Ivan Perestiani, photographed by Boris Zavelev), the finest film of the retrospective, an important achievement in a continuity which has continued until the days of Sergei Parajanov and Yuri Ilyenko.
4. MAGYAR DYNAMISM. When I visited the Hungarian film archive a few years ago I saw all Hungarian silent films available at the time and found no real gems among them. The Pordenone retrospective did not change my opinion, although more films have been discovered. The impression of a golden age of Hungarian cinema is based on the fact that an amazing number – around fifty! – great persons of world cinema (Zukor, Fox, Korda, Curtiz, Lugosi, Pressburger, Balazs... ) come from there. But perhaps their great period started abroad? The most important director in this series, Béla Balogh, seemed mediocre. The most famous film, Korda's Az aranyember, not very good either, surviving in an incomplete print, we screened in the FIAF 50 Touring Show.
5. THE ANIMATIONS OF GREGORY LA CAVA. Gregory Cava, who later became a reliable comedy director in Hollywood, started in animated cartoons of the Krazy Kat and Katzenjammer Kids comic strips. Dozens of films were seen in Pordenone. All mediocre or bad. They do not stand comparison with the contemporary films of the Fleischer brothers or Walt Disney.
6. RESTORED TREASURES FROM THE UCLA. UCLA Film and Television Archive is not famous for its silent treasures – its strength lies with sound films. Even the most important treasure of UCLA's silent collections – Harold Lloyd's films – had not been accepted to Pordenone. Yet the series was a very important – exemplary – display of technical achievements. The most attention-catching film was The Bright Shawl (1923) which has been restored from broken 16 mm prints to 35 mm: the visual quality was amazingly good. The second Vitaphone programme (1926, starring Al Jolson, among others) was equally stunning. The films have been shot on silent stock, synchronized to be played with phonograph records. The project included also the restoration of at times severely broken phonograph records. There were six shorts and one feature, Syd Chaplin's The Better 'Ole (1926), a silent comedy synched with a Vitaphone score.
7. DAS INDISCHE GRABMAL (Joe May, 1921). From the grand restorations of the Project Lumière of the EU was saw the big budget adventure fantasy Das indische Grabmal, written by Thea von Harbou and Fritz Lang, one of the most magnificent achievements of the golden age of German cinema. The two remakes, by Richard Eichberg (from the 1930s) and Fritz Lang himself (from the 1950s) are well-known, but this original has not been seen in 70 years except in badly truncated versions. Conrad Veidt and Bernhard Goetzke are among the stars. In several sequences – such as the waking up of the yoghi and the erotic rites at the temple – there is an unforgettable haunting atmosphere. The restoration (with toning and tinting) is first class.
8. GEORGES MELIES. Four recent Méliès discoveries were on display, and excellent among them were La Danse du feu (1899) and Le Voyage de la famille Bourrichon (1912), Méliès's last film of which an uncertainty had prevailed whether it was ever even finished. Now we saw it and were able to state that Méliès never lost his genius.
9. CENTENARY OF THE OLYMPICS. Compiled by Luke McKernan (NFTVA) who also moderated a programme meaningful for Finns. In the Pathé newsreels about the Stockholm 1912 Olympics we saw the legendary run of Hannes Kolehmainen – "when Finland was run on the map of the world" under the double-headed eagle of Russia but with Finland's seal on the chest. The first feature-length Olympic film is the 196 minutes long Les Jeux Olympiques Paris 1924 of which we saw a 40 min sample. Among the heroes were Paavo Nurmi and Ville Ritola, but there are many more Finnish victories included. Glimpses of these are familiar, but there is more material and it is of higher quality than has been generally known.
10. ERKKI HUHTAMO: THE ARCHAEOLOGY OF THE MOVING IMAGE I–III (Yleisradio 1996). This fine work was seen as a world premiere in the video series. International top expert rated it highly. The work has lasting value and use in media education. Worthy of wide international export.
...
WHAT I SAW
A KISS FOR HERBERT BRENON
Peter Pan (US 1924) 124' at 19,5 fps GEH
The Dream (US 1911) 12' /16 fps/ Mary Pickford
The Long Strike (US 1912) incomplete 13' /16 fps/
A Kiss for Cinderella (US 1925) 140' /18 fps/ announced, actually ca 120'
Ivanhoe (US 1913) 49' /16 fps/ MoMA – notes
Absinthe (US 1914) fragment 14' /16 fps/ NFM – notes
Happy Hooligan at the Circus (US 1917) notes
Katzenjammer Kids: [Una pesca magica] (US 1917) notes
Victory and Peace / The Invasion of Britain / [The National Film] (GB 1918) fragment 3' /16 fps/ NFTVA
Dr. Jekyll and Mr. Hyde (US 1913) 30' /16 fps/ UCLA – notes
Laugh, Clown, Laugh (US 1928) 74' /20 fps/ Lon Chaney. GEH – notes
The Street of Forgotten Men (US 1925) incomplete, 3–7, ca 65' /20 fps/ LoC – notes
The Spanish Dancer (US 1923) Pola Negri, 80' /18 fps/ NFM – notes
Dancing Mothers (US 1926) 69' /19 fps/ LoC – Alice Joyce, Clara Bow – notes
The Breaking Point (US 1924) Nita Naldi, 109' /16 fps/ LoC – notes
The Valley of the Giants (US 1927) 65' /25 fps/ UCLA – notes 6 pages
La principessa misteriosa (IT 1920) Maria Doro. 82' /16 fps/ Cineteca Italiana, Milano
The Rescue (US 1929) incomplete 85' /22 fps/ GEH – notes
Beau Geste (US 1926) 125' /20 fps/ LoC – notes
GREGORY LA CAVA, ANIMATOR
Cartoons in the Hotel (US 1915)
Krazy Kat and Ignatz Mouse at the Circus (US 1916), notes
Krazy Kat and Ignatz Mouse Discuss the Letter (US 1916), notes
The Joys and Glooms Elope (US 1916), notes
Krazy Kat and Ignatz Mouse in a Duet: He Made Me Love Him (US 1916), notes
Krazy Kat and Ignatz Mouse in a Tale That Is Knot (US 1916), notes
Krazy Kat and Ignatz Mouse In Their One-Act Tragedy, the Tale of the Nude Tail (US 1916), notes
Feet Is Feet: A Phable (US 1916)
Krazy Kat to the Rescue (US 1916)
The Phable of a Fat Woman (US 1916)
The Phable of a Busted Romance (US 1916)
Policy and Pie (US 1918)
How Could William Tell? (US 1919)
The Breath of a Nation (US 1919)
Smokey Smokes (US 1920)
IN THE LAND OF THE SOVIETS
Proekt inzenera Prajta / [Engineer Prait's Project] (Lev Kuleshov, Hanzhonkov, RU 1918) fragment, titles missing 20' (20 fps) GFF, notes
Za krasnoe znamya / [For the Red Flag] (Vladimir Kasianov, RU 1919) 16' /18 fps/ GFF, notes
Devji gory – legenda ob Antihriste / [The Virgins of the Mountains – the Legend of the Antichrist] (Aleksandr Sanin, RU 1919) 40' /20 fps/ GFF, notes
Tovarisc Abram / [Comrade Abram] (Aleksandr Rasumnyi, RU 1919) 18' /19 fps/ GFF, notes
Son Tarasa / [Taras' Dream] (Yuri Zhelyabuzhki, RU 1919) 14' /19 fps/ GFF
Proletarii vseh stran, soedinyaites! / [Workers of All Lands, Unite!] (Boris Sushkevic, RU 1919) incomplete 22' /18 fps/ GFF
Dezertiry / [The Deserters] (Evgeni Slavinski, RU 1919) missing titles 11' /18 fps/ GFF, notes
Novoe platye korolya / [The Emperor's New Clothes] (Yuri Zhelyabutzhki, RU 1919) titles missing 20' /16 fps/ GFF, notes
Agit-poezd / [Agit Train] (Dziga Vertov, RU 1919) 6' /18 fps/ Muzei Kino, notes
Rabocij Sevyrev / Rabotshi Sevyrev / [Worker Shevyrev] (Ceslav Sabinski, RU 1919) 69' /19 fps/ GFF, notes
Vzjatye zimnego dvorca / [The Taking of the Winter Palace] (Nikolai Evreinov, Aleksandr Kugel, Nikolai Petrov, Boris Sanin et al., RU 1920) 22' /18 fps/ Muzei Kino – AD: Yuri Annenkov, notes
Mat / [Mother] (Aleksandr Rasumnyi, RU 1920) 63' /19 fps/ GFF, notes
Serp i molot / V trudnye dni / [Hammer and Sickle] / [Difficult Days] (Vladimir Gardin, RU 1921) incomplete r. 2–5, 55' /19 fps/ GFF, notes
[Eksperiment Kuleshova] / [The Kuleshov Experiment] (Lev Kuleshov, RU 1921) 2 m, screened 3 times, 10" (10 seconds) /16 fps/ Ekaterina Hohlova Collection / GFF, notes
Arsen Dzordziasvili / Ybjstvo generala Grjazanova / [Arsen Dzordziasvili] / [The Killing of General Gryazanov] (Ivan Perestiani, RU 1921) 53' /18 fps/ GFF, notes
Derevnia na perelome / [Countryside at the Time of Change] (Ceslav Sabinski, RU 1921) 41' /21 fps/ notes
Net scactja na zemle / Njet stshastja na zemlje / [There Is No Happiness On Earth] (Aleksandr Panteleyev, SU 1922) 48' /20 fps/ GFF, notes
Polikushka (Aleksandr Sanin, SU 1922) incomplete r. 2–3, 5–6, 55' /19 fps/ GFF, notes
Suramskaya krepost / [The Fortress of Suram] (Ivan Perestiani, SU 1923) 73' /20 fps/ GFF, notes
Prizrak brodit po Evrope / [There Is a Spectre Over Europe] (Vladimir Gardin, SU 1923) titles missing, 85' /20 fps GFF, notes
Kombrig Ivanov / [Brigade Commander Ivanov] (Aleksandr Razumnyi, SU 1923) 66' /20 fps/ GFF, notes, notes
Dnevnik Glumova / [Glumov's Diary] (Sergei Eisenstein, SU 1923) 7' /18 fps/ Muzei Kino, notes
Sovietskie igruski / [Soviet Toys] (Dziga Vertov, SU 1924) 12' /22 fps/ GFF, notes
President Samosadkin [The Self-Appointed President] (Mikhail Verner, SU 1924) 74' /24 fps/ GFF, notes
Slesar i kantsler / [The Locksmith and the Chancellor] (Vladimir Gardin, SU 1924) incomplete 2-5 60' /19 fps/ GFF, notes
Istorija odogo razocarovanija / Boris Savikov [Story of a Disappointment] (Aleksandr Buskin, SU 1924) 4' /20 fps/ GFF
Razboinik Arsen / [Arsen the Bandit] (Vladimir Barski, SU 1924) 78' /20 fps/ GFF
N+N+N (Nini, nalog, neprijatnost) [Nini, Taxes, Sorrows] (Vladimir Smidtgof, SU 1924) 15' /20 fps/ GFF – notes
Vragi. Otets i syn / [Enemies. Father and Son] (Ceslav Sabinski, SU 1924) 86' /20 fps/ GFF – notes, 6 pages
Pokhozdeniya Vanki Gvozdya / [The Adventures of Ivan-the-Nail] (Manuel Bolshintsov, SU 1924) 10' /22 fps/ GFF
Tainstvennoe kolzo, ili rokovaja tanja [The Mysterious Ring, Or, The Fatal Mystery] (Aleksandr Buskin, SU 1924) 5' /24 fps/ GFF – notes
Bednjaku v prok – kulaku v bok / [Give to the Poor – Take from the Rich] (Jakov Poselski, SU 1924) 30' / 20 fps/ GFF- notes
Cetyre i piat / Tshetyre i pjat / [Four and Five] (Vladimir Gardin, SU 1924) 95' /20 fps/ GFF, notes
Starec Vasili Grjaznov / Starets Vasili Grjaznov / [The Monk Vadili Gryaznov] (Ceslav Sabinski, SU 1924) 56' /24 fps/ GFF, notes
Vasa znakomaja / Zurnalistka / [Your Acquaintance] / [The Journalist] (Lev Kuleshov, SU 1927) fragment, 13' /24 fps/ GFF
MAGYAR DYNAMISM, Magyar Filmintézet
Küzdelem a létért / [Struggle for Life] (Alfred Deésy, HU 1918) starring Béla Lugosi, notes
A leányasszony / [The Young Wife] (Alfred Deésy, HU 1918), notes (I saw half)
Jön az öcsém / [My Brother Is Coming] (Michael Curtiz, HU 1919) 12' /16 fps/ notes
A megfayott gyermek / [The Frozen Child] (Béla Balogh, HU 1912) 51' /18 fps/
Hegyek alján / [Under the Mountains] (Béla Balogh, HU 1920) 82' /18 fps/
Az aranyember / [The Golden Man] (Alexander Korda, HU 1928) incomplete 100' /16 fps/ – over two thirds missing
SPECIAL EVENT
Das indische Grabmal Teil I: Die Sendung des Joghi plus
Das indische Grabmal Teil Teil II: Der Tiger von Eschnapur (DE 1921) announced as 241' /20 fps/ actual duration ca 210', notes, Ende 18.09
THE JANET GAYNOR PROJECT
Pep of the Lazy "J" (Victor Nordlinger, US 1926) 22' /21 fps/ GEH
UCLA FILM AND TELEVISION ARCHIVE PRESENTS
Lotus Blossom (US 1921) 13' /20 fps/
Rheims (Charles Raleigh, US 1921) 8' /20 fps/ *
The Bright Shawl (John S. Robertson, US 1923) 93' /20 fps/, notes
[Carl Laemmle Silver Jubilee] (US 1932) 3' / 24 fps/
Tabu [preview trailer] (F. W. Murnau, US 1931) 4' /24 fps/
Legong (Dance of the Virgins) (Henri de la Falaise, US 1935) 54' /24 fps/, notes
Ouverture: The Spirit of 1918 / George Jessel / Elsie Janis / Willie and Eugene Howard / Al Jolson/ Bruce Bairnsfather (US 1926) 60' / 24 fps/
The Better 'Ole (Charles Reisner, US 1926) 95' / 24 fps/
[Ernst Lubitsch at Home in Hollywood] (US 1924) 3' /20 fps/
[Ernst Lubitsch on the Set of Rosita] (US 1923) 4' /20 fps/
The Patriot preview trailer (US 1928) 4' /18 fps/
KEVIN MCDONALD PRESENTS
Chaplin's Goliath. In Search of Scotland's Forgotten Star (GB 1996) VHS. 52' Eric Campbell
ERKKI HUHTAMO PRESENTS
The Archaeology of the Moving Image I–III (FI 1996) English version. U-Matic. 90'
GEORGES MELIES
Sur les toits (FR 1897) AFF / CNC, notes
Le Prise de Tournavos (FR 1897) AFF / CNC, notes
La Danse du feu (FR 1899) GEH, notes
Le Voyage de la famille Bourrichon (FR 1912) Lobster Film, notes
MAX DAVIDSON
Why Girls Say No (US 1927) 25' /20 fps/ Bonner Kinemathek, notes
Jewish Prudence (US 1927) 24' /20 fps/ Bonner Kinemathek, notes
Should Second Husbands Come First? (US 1927) Bonner Kinemathek
The Boy Friend (US 1928) Bonner Kinemathek
No Woman Knows (Tod Browning, US 1921) 65' /20 fps/ Cinecon 32 Hollywood / Filmoteca Española – notes
Hurdy Gurdy (US 1929) 20' /24 fps/ Bonner Kinemathek
GOOD NIGHT, SILENTS...
Quand Madelon... (Georges Lordier, FR 1917), 4' /18 fps/ Lobster, live performance Serge Bromberg, notes
Celles qui s'en font (Germaine Dulac, FR 1928) 7' /20 fps/ Lobster. notes ,*****
Cast Ashore (US 192X) 9' /19 fps/ GEH - straight and gay hard core porn
Manchu Love (Elmer Clifton, US 1928) 17' /24 fps/ GEH
OLYMPIA 100 - LUKE MCKERNAN - NFTVA
Olympic Games at Athens (GB 1906) 6'
[Athens 1896] (FR 1906) 1'
[1908 Olympics: Marathon] (GB 1908) 6' London
[Olympic Games 1912] (GB 1912) 8' Stockholm
[Stockholm: the Olympic Games 1912] (GB 1912) 13'
Antwerp – Olympic Games (Fox News # 11) (GB 1920) 1'
Les Jeux olympiques Paris 1924 (FR 1924) 3 reels selection 40' /20 fps/ IWM
FRESH FROM THE ARCHIVES
Des Alters erste Spuren (Franz Hofer DE 1913) 23' /16 fps/ Slovenska Kinoteka, notes
Le Jongleur des chapeaux (FR 1909) 6' /16 fps/ Slovenska Kinoteka
BLANCHE SWEET REMEMBERED
The Little Country Mouse (Donald Crisp, US 1914) 14' /16 fps/ LoC New Zealand Collection
The Villain Foiled (Mack Sennett, US 1911) 6' /16 fps/ MoMA
Public Opinion (Frank Reicher, US 1916) 57' /16 fps/ LoC
SPECIAL EVENT: L'IMMAGINE RITROVATA
Za-la-Mort / Der Traum der Za-la-Vie (DE 1924) 96' /18 fps/ Jugoslovenska Kinoteka / Cineteca del Comune di Bologna
15 OCT 1996, RIDOTTO DEL VERDI, SEZIONE VIDEO
15.30 LOBSTER FILM PRESENTS: UNIDENTIFIED AMERICAN SHORT COMEDIES, PART I
Peculiar Patients' Pranks (Hal Roach, Lonesome Luke series, Rolin Film Co., US 1915), starring Harold Lloyd, Snub Pollard, Bebe Daniels - notes
Monday, September 30, 1996
September 1996, Helsinki
XXX
XXX
XXX
13.9.1996 Dim Sum: A Little Bit of Heart. US 1985. D: Wayne Wang. Orion
13.9.1996 Simple Men. US 1992. D: Hal Hartley. Orion
17.9.1996 Mala Noche. US 1986. D: Gus Van Sant. Orion
19.9.1996 Ma vida loca. US/GB 1993. D: Allison Anders. Orion. Notes.
20.9.1996 Barcelona. US 1994. D: Whit Stillman. Orion
21.9.1996 at 14.30 Helsinki Film Festival, Maxim 2
24.9.1996 The Roots of Heaven / Taivaan juuret. US 1958. D: John Huston. Orion
25.9.1996 Ar irardo! / Ne gorjui! / Meillä ei surra. SU-GE 1970. D: Georgi Danelija. Orion
27.9.1996 Laveata tietä / [The Broad Way]. FI 1931. D: Valentin Vaala. Teuvo Tulio. Orion
27.9.1996 Little Odessa / Pikku Odessa. US 1994. D: James Gray. Orion
29.9.1996 The Roots of Heaven / Taivaan juuret. US 1958. D: John Huston. Orion
Thursday, August 01, 1996
August 1996, Los Angeles, Hayden Lake, Spokane
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| Mel Stuart: Willy Wonka & the Chocolate Factory (US 1971), based on Roald Dahl, starring Gene Wilder. |
7.8.1996 The Disorderly Orderly (Frank Tashlin, US 1964, with Jerry Lewis) video
8.8.1996 A Time to Kill (Joel Schumacher, US 1996)
9.8.1996 Victory Through Air Power (Walt Disney, US 1943) screening at Walt Disney Studios, Burbank, with Scott MacQueen
10.8.1996 Destry Rides Again (George Marshall, US 1939) Lakeside Video
13.8.1996 Darby O'Gill and the Little People (Robert Stevenson, US 1959) video
14.8.1996 Escape from L.A. (John Carpenter, US 1996) AMC Burbank
15.8.1996 Pulp Fiction (Quentin Tarantino, US 1994) Lakeside Video
16.8.1996 The Manchurian Candidate (John Frankenheimer, US 1962) Lakeside Video
17.8.1996 Basquiat (Julian Schnabel, US 1996)
23.8.1996 Kansas City (Robert Altman, FR/US 1996) Lammle's Sunset 5
25.8.1996 Nixon (Oliver Stone, US 1995) video, director's cut
26.8.1996 Tin Cup (Ron Shelton, US 1996)
Monday, July 01, 1996
July 1996, Los Angeles
2.7.1996 Eraser (Chuck Russell, US 1996, with Arnold Schwartzenegger) AMC Burbank
3.7.1996 Independence Day (Roland Emmerich, US 1996)
3.7.1996 The Rock (Michael Bay, US 1996) AMC Burbank
4.7.1996 The Cable Guy (Ben Stiller, US 1996, with Jim Carrey) AMC Burbank
5.7.1996 Hoop-La (Frank Lloyd, US 1933, with Clara Bow) UCLA
5.7.1996 The North West Mounted Police (Cecil B. De Mille, US 1940, with Gary Cooper) UCLA
7.7.1996 GoldenEye (Martin Campbell, GB/US 1995, with Pierce Brosnan) Blockbuster Video - notes
8.7.1996 Get Shorty (Barry Sonnenfeld, US 1995) Blockbuster Video
10.7.1996 Clueless (Amy Heckerling, US 1995) Blockbuster Video
11.7.1996 The Great McGinty (Preston Sturges, US 1940) video
12.7.1996 The Bitter Tea of General Yen (Frank Capra, US 1933) video, short version
18.7.1996 Ich küsse Ihre Hand, Madame (Robert Land, DE 1929, with Marlene Dietrich) US version, GEH restoration, at UCLA
19.7.1996 The Strange Affair of Uncle Harry (Robert Siodmak, US 1945) UCLA
19.7.1996 Specter of the Rose (Ben Hecht, US 1946) UCLA
20.7.1996 The Big Sleep (Howard Hawks, US 1945/1946) UCLA restored early version presented by Bob Gitt (I may mix dates here)
23.7.1996 The Big Sleep (Howard Hawks, US 1946) 1946 release version
25.7.1996 To Kill a Mockingbird (Robert Mulligan, US 1962) video
26.7.1996 The Jolson Story (Alfred E. Green, US 1945) video
27.7.1996 The Sea Wolf (Michael Curtiz, US 1941) Lakeside Video
28.7.1996 The Crowd (King Vidor, US 1928) Lakeside Video
29.7.1996 Alice in Wonderland (Walt Disney, US 1951) Lakeside Video
Saturday, June 01, 1996
June 1996, Los Angeles
1.6.1996 From the Journals of Jean Seberg (Mark Rappaport, US 1995) Laemmle's Sunset
1.6.1996 Mulholland Falls (Lee Tamahori, US 1996) Fairfax
2.6.1996 Captain Blood (Michael Curtiz, US 1935) video from TNT
3.6.1996 Music for the Movies: Bernard Herrmann (Joshua Waletzky, US/GB/FR 1992) video from L.A. Public Library
3.6.1996 The Farmer's Daugher (H.C. Potter, US 1947) video from L.A. Public Library
4.6.1996 Going My Way (Leo McCarey, US 1944) video from L.A. Public Library
5.6.1996 The Bells of St. Mary's (Leo McCarey, US 1945) video from Hollywood Library
6.6.1996 The Fountainhead (King Vidor, US 1949) video from Hollywood Library
7.6.1996 Holiday (George Cukor, US 1938) video from Hollywood Library
5.6.1996 Sylvia Scarlett (George Cukor, US 1935) video from Hollywood Library
8.6.1996 Kiss Me Kate (George Sidney, US 1953) video from Hollywood Library
8.6.1996 Pursued (Raoul Walsh, US 1947) video from Hollywood Library
9.6.1996 David Copperfield (George Cukor, US 1935) video from Hollywod Library
11.6.1996 Four Daughters (Michael Curtiz, US 1938) video from Hollywood Library
11.6.1996 Yankee Doodle Dandy (Michael Curtiz, US 1942) video from Hollywood Library
11.6.1996 Mildred Pierce (Michael Curtiz, US 1945) video from Hollywood Library
12.6.1996 The Quest (Jean-Claude Van Damme, US 1996) The Vine
12.6.1996 OG: Original Gangstas (Larry Cohen, US 1996) The Vine
13.6.1996 The Postman Always Rings Twice (Tay Garnett, US 1946) video from Hollywood Library
13.6.1996 Les Girls (George Cukor, US 1957) video from Hollywood Library
16.6.1996 A Letter to Three Wives (Joseph L. Mankiewicz, US 1949) video from Hollywood Library
16.6.1996 Stars in My Crown (Jacques Tourneur, US 1950) video from Hollywood Library
16.6.1996 Leave Her to Heaven (John M. Stahl, US 1945) video from Hollywood Library
17.6.1996 Christmas in July (Preston Sturges, US 1940) video from Hollywood Library
18.6.1996 The House on 92nd Street (Henry Hathaway, US 1945) video from Hollywood Library
18.6.1996 Pandora and the Flying Dutchman (Albert Lewin, GB 1951) video from Hollywood Library
19.6.1996 The Black Pirate (Albert Parker, US 1926, with Douglas Fairbanks) Orpheum
20.6.1996 The Bank Dick (Edward F. Cline, US 1940, with W.C. Fields)
20.6.1996 Panic in the Streets (Elia Kazan, US 1950)
22.6.1996 Lone Star (John Sayles, US 1996)
27.6.1996 Gilda (Charles Vidor, US 1946) restored, UCLA
29.6.1996 Striptease (Andrew Bergman, US 1996, with Demi Moore) AMC Burbank
30.6.1996 Ben-Hur (William Wyler, US 1959) video from Hollywood Library
Wednesday, May 01, 1996
May 1996, Los Angeles
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| George Loane Tucker: The Miracle Man (US 1919). A lost film, one of the most highly regarded silents. Two minutes survive in Paramount's 20th anniversary chronicle The House that Shadows Built (US 1933) – including the electrifying turning-point. The Miracle Man (Joseph J. Dowling, standing in the center) and his gang fool the crowd with a fake healing. The "crippled" Frog (Lon Chaney, lying in front of him) stands up and walks. Then an actual crippled boy (Frankie Lee) feels the healing spirit. Photo and information from Shawn Hall: The Everyday Cinephile (20 Oct 2022). Fragment viewed in the Silent Movie Theater in Los Angeles. |
11.5.1996 Counsellor at Law (William Wyler, US 1933) UCLA
11.5.1996 The Little Foxes (William Wyler, US 1941) UCLA
13.5.1996 Dead Man Walking (Tim Robbins, US 1995)
17.5.1996 Lethal Weapon (Richard Donner, US 1987) tv UPN (Paramount)
18.5.1996 Serpico (Sidney Lumet, US 1973) video UPN (Paramount)
18.5.1996 Klute (Sidney Lumet, US 1971) tv TBS
18.5.1996 Enter the Dragon (Robert Clouse, US 1973) video from UPN (Paramount)
19.5.1996 Twister (Jan De Bont, US 1996) Academy, Beverly Hills, preview
20.5.1996 Visions of Light (Arnold Glassman, Todd McCarthy etc., US 1992) tv PBS
20.5.1996 Norma Jean & Marilyn (tvm, Tim Fywell, US 1996) video from HBO
20.5.1996 Crimson Tide (Tony Scott, US 1995) tv Showtime
23.5.1996 tv: American Cinema - Film In the Television Age, 60 min, tv PBS
23.5.1996 Malicious (Ian Corson, US 1995) tv Showtime
23.5.1996 Color of Night (Richard Rush, US 1994) tv Showtime
24.5.1996 Confidential Agent (Herman Shumlin, US 1945) video Showtime
24.5.1996 Mr. Wu (William Nigh, US 1927) Silent Movie Theater, Lon Chaney Super
24.5.1996 Victory (Maurice Tourneur, US 1919) Silent Movie Theater, Lon Chaney Super
+ Felix Goes Hungry (Otto Messmer, US 1924)
+ The Miracle Man (George Loane Tucker, US 1919) fragment - in the presence of Michael Blake, organ: Stan Kann, notes. Not released in Finland. In Sweden: Mirakelmannen.
25.5.1996 Otrazhenie v zerkale / Reflections in a Mirror (Svetlana Proskurina, RU 1992) Laemmle's Sunset 5
25.5.1996 Dead Man (Jim Jarmusch, US 1995) Laemmle's Sunset 5
25.5.1996 Cold Comfort Farm (John Schlesinger, GB 1995) Laemmle's Sunset 5
25.5.1996 Toy Story (John Lasseter, US 1995) Fairfax
26.5.1996 exhibition: MOCA: Hall of Mirrors
26.5.1996 The Sands of Iwo Jima (Allan Dwan, US 1949) tv TNT
26.5.1996 Biruma no tatego (Kon Ichikawa, JP 1956) video from PBS
27.5.1996 The Dirty Dozen (Robert Aldrich, US 1967) video from TNT. Notes
27.5.1996 tv: AFI Tribute to Clint Eastwood, tv ABC
28.5.1996 Shaft (Gordon Parks, US 1971) tv TNT
29.5.1996 The Seven Year Itch (Billy Wilder, US 1955) The Los Angeles Theatre, arranged by The Los Angeles Conservatory, on MM 70th birthday, with Stephanie Anderson, Leonard Maltin, Anna Strasberg, Evelyn Moriarty, George Barris, Donald Spoto
30.5.1996 tv: American Cinema: Film Noir, tv PBS
30.5.1996 Marilyn and Me (tvm, John Patterson, US 1991, with Susan Griffiths)
30.5.1996 Dangerous Game (Abel Ferrara, US 1993)
31.5.1996 tv: Intimate Portrait: Marilyn Monroe (1996) tv Lifetime








