(c) 2009 L. Driver Productions, inc. / Warner Bros. Records, Inc. - A Band Apart / Warner Bros. Records. - EX: Quentin Tarantino.
Along with The Limits of Control, one of the best compilation soundtracks of the year. Like the film, the soundtrack, too, is a meta-commentary of film history.
1. The Green Leaves Of Summer (Dimitri Tiomkin & Paul Francis Webster) pres. Nick Perito (1960), instrumental version of the main title song from The Alamo (1960)
2. The Verdict / Dopo la condanna (Ennio Morricone) pres. Ennio Morricone from La resa dei conti (1966)
3. White Lightning (Main Title) (Charles Bernstein) pres. Charles Bernstein (1973)
4. Slaughter (Billy Preston) pres. Billy Preston (1972)
5. The Surrender / La resa (Ennio Morricone) pres. Ennio Morricone from La resa dei conti (1966)
6. One Silver Dollar / Un dollaro bucato (Gianni Ferrio) pres. The Film Studio Orchestra (1967), from Un dollaro bucato (1965)
7. Davon geht die Welt nicht unter (Bruno Balz & Michael Jary) pres. Zarah Leander, from Die grosse Liebe (1942)
8. L'Homme dans le grand sombrero / The Man With The Big Sombrero (Phil Boutelje & Foster Carling) pres. Samantha Shelton and Michael Andrew, inspired by the original recording by June Havoc in Hi Diddle Diddle (1943)
9. Ich wollt, ich wär' ein Huhn (Hans-Fritz Beckmann & Peter Kreuder) pres. Lilian Harvey and Willy Fritsch, from Glückskinder (1936)
10. Main Theme from Dark of the Sun (Jacques Loussier) pres. Jacques Loussier, from The Mercenaries / Dark of the Sun (1968)
11. Cat People (Putting Out The Fire) (David Bowie & Giorgio Moroder) pres. David Bowie (1981), from Cat People (1982)
12. Tiger Tank (Lalo Schifrin) pres. Lalo Schifrin, from Kelly's Heroes (1970)
13. Un amico (Ennio Morricone) pres. Ennio Morricone, from Revolver (1973)
14. Rabbia e tarantella (Ennio Morricone) pres. Ennio Morricone, from Allonsanfan (1974)
***
Other Ennio Morricone selections in the motion picture itself: "L’incontro con la figlia" (from Il ritorno di Ringo, 1965), "Il mercenario (ripresa)" (from Il mercenario, 1968), "Algiers November 1, 1954" (with Gillo Pontecorvo; from La battaglia di Algeri, 1966), and "Mystic and Severe" (from Da uomo a uomo, 1967.
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