Showing posts with label Philippe Garrel. Show all posts
Showing posts with label Philippe Garrel. Show all posts

Wednesday, October 15, 2008

J'entends plus la guitare / I Can't Hear the Guitar Anymore


Philippe Garrel: J'entends plus la guitare / I Can't Hear the Guitar Anymore (FR 1991) avec Johanna Ter Steege (Marianne) et Anouk Grinberg (Adrienne).

I Can't Hear the Guitar Anymore. FR 1991. PC: Les Films de l'Atalante / CNC / Procirep. D+SC: Philippe Garrel. Dial: Marc Chodolenko. DP: Caroline Champetier. M: Faton Cahen. Cast: Benoît Régent (Gérard), Johanna Ter Steege (Marianne), Yann Collette (Martin), Mireille Perrier (Lola), Brigitte Sy (Aline), Anouk Grinberg (Adrienne). A MAE print with English subtitles viewed at Cinema Orion, Helsinki 14 Oct 2008. Dedicated to the memory of Nico. – Good colour, ok print. – I first saw the film on 29 Oct 1996. This time I watched the first 30 min. – L'homme, la mer. L'homme, la mère. – L'amour at once, baby not at once. – I never see you as a whole. – Love: fear of not being loved. Love: everything you can't say. – Dialogue by Marc Chodolenko. A conversation piece literally. Two couples. – Twilight or darkness in the images. – Defining what love is. – Cinema bordering on the hermetic.

Wednesday, October 01, 2008

Les Amants réguliers

Regular Lovers. FR (c) 2004 Maïa Films / ARTE France. D: Philippe Garrel. SC: Philippe Garrel, Arlette Langmann, Marc Chodolenko. DP: William Lubtchansky - b&w - Academy 1:1,37. M: Jean-Claude Vannier. Starring Louis Garrel (Francois, poet), Clotilde Hesme (Lilie, sculptress), Eric Rulliat (Jean-Christophe). 182 min. A Films Distribution print with English subtitles viewed at Cinema Orion, Helsinki, 30 September 2008. - A fine print of a film with stark b&2 cinematography in high contrast. - A poetic meditation on the experience of May 1968 in Paris. Reflected also in visions of the revolutions of 1789 and 1848. - Garrel has stated that his film is not about the year 1968 but a generation. Like a novel by Stendhal, he moves through history and returns to the private. The second part of the film is about the return of art. Even opium is a literary device, which evokes the dreams of 1968, a return to Romantic literature or even Cocteau. - I watched the first 30 minutes and the last 15 minutes. The beginning is about the street fights at night, depicted as an anti-action movie. The ending is about the death of the poet of an opium overdose.