Showing posts with label Tilda Swinton. Show all posts
Showing posts with label Tilda Swinton. Show all posts

Friday, August 28, 2009

The Limits of Control

The Limits of Control / The Limits of  Control [boringly, there are no Finnish and Swedish-language titles for the film]. ES/US/JP (c) 2008 PointBlank Film. P: Gretchen McGowan, Stacey E. Smith. D+SC: Jim Jarmusch. DP: Christopher Doyle - negative: 35 mm (Fuji Eterna 400T 8583) - digital intermediate (looks like 2K) - colour: DeLuxe - print: 35 mm. PD: Eugenio Caballero. M: Boris. Music Editor: Jay Rabinowitz. LOC: Spain. CAST: Isaach De Bankolé (Lone Man), Alex Descas (Creole), Jean-Francois Stévenin (French), Oscar Jaenada (Waiter), Luis Tosar (Violin), Paz de la Huerta (Nude), Tilda Swinton (Blonde), Youki Kudoh (Molecules), John Hurt (Guitar), Gael García Bernal (Mexican), Hiam Abbass (Driver), Bill Murray (American). 115 min. A Nordisk Film Theatrical Distribution Finland release with Finnish / Swedish subtitles by Marko Hartama / Hannele Vahtera. Viewed at Kinopalatsi 7, Helsinki, 28 Aug 2009 (the first public screening).

A digital intermediate look. - Jim Jarmusch belongs to the artists whose new film I always look forward to. - This is a new poem of urban solitude, of coffee and matchboxes. - It's another Jean-Pierre Melville homage, like The Ghost Dog. - It's about another lonely wanderer like Dead Man. - That was related to William Blake, this one to Arthur Rimbaud. - Keywords include: cool - mystery - silence. - The urban poetry has links with Antonioni and Wong Kar-Wai. - Motifs include: recurring phrases - two cups of espresso - two Boxeurs matchboxes (red and blue) - codes on small paper pieces that get swallowed - helicopters - paintings at the Reine Sofia - keys - empty apartments - tai-chi (?) movements - no mobiles. - The story is apparently about organized high-level diamond smuggling and an assignment given to Isaach De Bankolé to execute the top boss (Bill Murray). - Sex: "never while I'm working". Paz de la Huerta makes the temptation as irresistible as can be with her nude performance, with her delicious buttocks, delicious breasts, and delicious areolae. - The score and the soundtrack are brilliant, with modern rhythm music, flamenco, and Schubert. - The cinematography by Christopher Doyle is excellent, but unfortunately the film has gone through the digital process. - The film is an elliptic poem that consists of painterly scenes. I look forward to revisiting it.


Friday, September 19, 2008

Burn After Reading


Ethan Coen & Joel Coen: Burn After Reading (US/GB/FR 2008).

US/GB/FR © 2008 Focus Features. P+D+SC+ED: Ethan Coen, Joel Coen. P also: Tim Bevan, Eric Fellner. DP: Emmanuel Lubezki – 35 mm – digital intermediate – print 35 mm color 1:1,85. M: Carter Burwell. Starring George Clooney (Harry Pfarrer), Frances McDormand (Linda Litzke), Brad Pitt (Chad Feldheimer), John Malkovich (Osborne Cox), Tilda Swinton (Katie Cox), Richard Jenkins (Ted Treffon), David Rasche (CIA Officer), J. K. Simmons (CIA Superior). A FS Film print viewed at the opening gala of the Helsinki International Film Festival (Love & Anarchy) at Bio Rex, Helsinki, 18 September 2008. – Print with a slightly denatured digital intermediate look. – The Coen brothers in good form. – Joel Coen: "If you want to call it a comedy I wouldn't protest. It's sort of about the CIA, the culture of physical fitness and internet dating". – The auteurs see this as the third film of their idiot trilogy. – A black comedy with fine performances (the best performance I have seen from Brad Pitt) and effective music by Carter Burwell. – The satire of a soulless way of life got a good laugh response from the audience. – The sharply written film has surprising twists, the ensemble is excellent, and it is not totally empty.