Sunday, March 13, 2005

Un chien andalou (the 1960 Luis Buñuel reconstruction)


Luis Buñuel & Salvador Dalí: Un chien andalou FR 1928). Featuring Luis Buñuel (razor man), Simone Mareuil (woman), Pierre Batcheff (man), Fano Messan (trans), Salvador Dalí (priest). Please click on the image to expand it.

Andalusialainen koira. FR 1928. D+SC: Luis Buñuel and Salvador Dali. M: "Liebestod" (Wagner), French pastiches of Argentinian tangos. 16'. Finnish / Swedish subtitles. The 1960 reconstruction of the silent film supervised by Buñuel with music on soundtrack. Projector with a 3000 W lamp too close to the screen. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. "Beware this dog, it bites". Great, yet now the new Filmoteca Española restored print is preferable. ****

Invocation of My Demon Brother


Kenneth Anger: Invocation of My Demon Brother (US 1969). Kenneth Anger as Magus 

US 1969. D: Kenneth Anger. M: Mick Jagger. 11'. Good 16 mm print. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Crazy images from a Black Sabbath during the Vietnam war, Anger himself as the High Priest, to an annoying Moog score by Jagger.

Passage à l'acte


Martin Arnold: Passage à l'acte (AT 1993). Found footage from To Kill a Mockingbird (US 1962).

AT 1993. D: Martin Arnold. 12'. 16 mm. Experimental. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Found footage from To Kill a Mockingbird (1962) stretched and repeated to the point of absurdity. "The nuclear family breakfast is interrupted when father (Gregory Peck) is not given the jam he needs for his toast". Scratch video aesthetics on film, creating visual stutter and hysteria. The biggest laugh success of the Festival.

(Dis)integrator

FI 1992. PC: AV-Arkki. D: Juha van Ingen. 4'. Betacam. Experimental. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Found footage from The Fly (1958) looped in many generations, until there is only video static. The dialogue: "A stream of electrons, sound and picture impulses, are transmitted through wires into the air. The TV camera is a disintegrator. Your set unscrambles and integrates the electrons back into pictures and sound".

Liquid Crystals


Jean Painlevé: Liquid Crystals (FR 1976).

FR 1976. D: Jean Painlevé. M: Francoise de Roubaix. 6'. 16 mm. Scientific film. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Programme text: "The changes of temperature, pressure and humidity in the molecular structures of the liquid crystal. During his career, Jean Painlevé (1902-89) finished nearly 200 films combining pedantic research and surrealistic visions. The music composed by Francoise de Roubaix, who died at an early age, lends the film an especially subtle and poignant touch." Shot through the microscope, a different kind of LCD, liquid crystal vision, totally scientific and totally psychedelic.

Voiliers et coquelicots / Poppies and Sailboats



Rose Lowder: Voiliers et coquelicots / Poppies and Sailboats (FR 2001).

Unikkoja ja purjeveneitä. FR 2001. D: Rose Lowder. 2'. 16 mm. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Silent flicker film based on two series of moving images, on poppies and sailboats.

My Name Is Oona


Gunvor Nelson: My Name Is Oona (US 1969).

US 1969. D: Gunvor Nelson. 10'. Experimental. 16 mm. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Programme text: "The fourth film by the Swedish-born perfectionist. The fantasies and looped everyday phrases create a fabric open to a number of interpretations." On the director's own daughter.

Dresden Dynamo


Liz Rhodes: Dresden Dynamo (GB 1974).

GB 1974. D: Liz Rhodes. 5'. 16 mm. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Programme text: "An early work by the London artist. Done entirely - down to the soundtrack - with Letraset letters and Letratone colours, on an optical printer without camera."

Tradition ist die Weitergabe des Feuers und nicht die Anbetung der Asche

Tradition Is the Handing On of Fire and Not the Worship of the Ashes / Perinne on tulen kantamista, ei tuhkan palvontaa. AT 1999. D: Gustav Deutsch. M: Fennesz. 1'. The trailer of Filmarchiv Austria. Projector with a 3000 W lamp too close to the screen. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. A collapsing house on old film: material aesthetics.

CARTE BLANCHE A MIKA TAANILA

Tullikamari, Tampere Film Festival 12 March 2005. Nine films.

Härlig är jorden / World of Glory


Roy Andersson: Härlig är jorden / World of Glory (1991).

Maa on niin kaunis.
    SE © 1991 Göteborg Film Festival. D: Roy Andersson. 16'. English subtitles, e-subtitles in Finnish. Video projection. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005.

Strong scenes in Roy Andersson's late style: vignettes in long shot without camera movement and editing. It starts with a re-enactment of a Nazi-style murder van, where naked passengers are gassed with an exhumation pipe of the car. "History started with Auschwitz", says Roy Andersson, born on the first year of the Endlösung. (I saw half of this only, due to belated schedule).

Miejsce

The Place / Paikka. PL (c) 1984 Film Polski. PC: Wytwórnia Filmóv. D: Tadeusz Arciuch. 17'. E-subtitles in English and Finnish. Bad 35mm projection: the projector with 3000 W lamps too close to the screen, also lit by the video projector. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Auschwitz visited by young people of today (1984).

Apel / Roll Call


Ryszard Czekała: Apel / Roll Call (PL 1970).

Nimenhuuto. PL 1970. PC: Studio Miniatur Filmowych w Warszawie. D: Ryszard Czekała. 8 min. Animation. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Bad 35 mm projection: the projector with 3000 W lamps too close to the screen, also lit by the video projector. Programme text: from "one of the most famous animators of the Cracow school", "his third film. Prisoners are gathered for a roll call, an SS soldier in front of them." Stark animation on discipline and rebellion.

Máté passio

Excerpts from J.S. Bach's Saint Matthew Passion / Matteuspassio. HU 1965. PC: Mafilm. D: Tamás Czigány. M: J.S. Bach. 20'. Documentary: photo montage on the Holocaust. Bad 35mm projection: the projector with 3000 W lamps too close to the screen, also lit by the video projector. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. A bold experiment: Christian music and images on the Final Solution concerning Jews.

Nuit et brouillard

Yö ja usva / Night and Fog. FR 1956. PC: Como Films, Argos Films. D: Alain Resnais. SC: Jean Cayrol. DP: Ghislain Cloquet, Sacha Vierny. M: Hanns Eisler. ED: Henri Colpi, Jasmine Chasney. 32'. A print with Finnish / Swedish subtitles. E-subtitles in English. Bad 35mm projection: the projector with 3000 W lamps too close to the screen, also lit by the video projector. Viewed at Tullikamari, Tampere Film Festival, 12 March 2005. Still the masterpiece. The cry that will never turn silent. ****

RAKE SPECIAL: AUSCHWITZ (Tampere Film Festival 2005)


Alain Resnais: Nuit et brouillard / Night and Fog (FR 1956). Auschwitz. The favourite short film of Raimo "Rake" Silius (1943-2024).

Tullikamari, Tampere Film Festival 12 March 2005. Six films, of which the last one (Auschwitz 2000 by Rax Rinnekangas) I missed and the second to last (Härlig är jorden by Roy Andersson) I half-missed due to belated schedules. The 35 mm projection was no good as the projector with 3000 W lamps was too close to the screen and the screen was also lit by the video projector.

Gilbert & Sullivan: The Very Models


Barry J. C. Purves: Gilbert & Sullivan: The Very Models (GB 1998).

GB © 1998 Channel Four. PC: Bare Boards. D: Barry J. C. Purves. M: Arthur Sullivan. 16'. Puppet animation. Sous-titres francais, e-subtitles in Finnish. Viewed at Plevna 6, Tampere Film Festival 12 March 2005. Programme text: "Richard D'Oyly Carte wonders what he has done in introducing the temperamental Gilbert to the equally difficult Sullivan. Gilbert and Sullivan were pioneers of variety theatre and the founders of the world-famous Savoy Theatre". Another exciting and new imagery from Barry Purves.

Achilleus (Barry J. C. Purves 1995)


Barry J. C. Purves: Achilleus (GB 1995). Photo: Stop Trik: Achilleus / Ahil.

GB © 1995 Channel Four. PC: Bare Boards. D: Barry J. C. Purves. 11'. Clay animation. E-subtitles in Finnish. Viewed at Plevna 6, Tampere Film Festival 12 March 2005. The homosexual aspect of the Homeric tale of Achilles and Patroclus during the Trojan war.

...
  
Barry J C Purves (A Bare Boards Production)
1995, UK, 11'
The stress of the Trojan War puts the already complex relationship between the Greek warrior Achilles and his lover Patroclus under further strain.

Recommended for children under 14 years old: No
Technique: Puppet film
Language: English

ACHILLES A Bare Boards Production for Channel Four television 1995
Directed, written and animated by Barry J C Purves
Dialogue - Jo Cameron brown
Photography: Paul Smith 
Editing: Flix Facilties
Music: Nigel Hess 
Voice: Sir Derek Jacobi, with David Holt, Simon Green
Puppets and Costumes by Mackinnon Saunders
Props by Liz Scrine and Barbara Biddulph
Producer – Glenn Holberton

Barry J C Purves

Barry’s theatrical and often controversial films have won more than sixty international awards. His work is known for its innovation, passion, elegance, lush visuals and fresh interpretation of familiar subjects. Barry’s animated films: Next – the complete works of Shakespeare in five minutes; Screen Play – the Willow Pattern story told through Kabuki; Rigoletto – a version of Verdi’s opera; Achilles – a very adult retelling of the Iliad; Gilbert and Sullivan – their words and music used to retell the story of their stormy relationship; Hamilton Mattress – a film about an aardvark’s attempt to survive in the corrupt  world of showbiz; Plume – With little more than a puppet and a pool of light, this unsettling film questions how one copes and moves on after a trauma; Tchaikovsky – an Elegy Using Tchaikovsky’s music and pieces from his diary and letters, this reflective and melancholy film sees Tchaikovsky wondering if he has achieved enough in his life. The first six of his films have been released on a compilation DVD: Barry Purves – his intimate lives. Feature films: Barry has worked in significant roles on Mars Attacks! directed by Tim Burton and King Kong, directed by Peter Jackson. TV Series: Barry has been involved with many well known and beloved series for television as animator or director. These include: Rainbow, Chorlton and the Wheelies, The Pied Piper of Hamelin, The Wind in the Willows, Rupert Bear, Postman Pat and Bob the Builder. Barry directed 52 episodes of the children’s series Toby’s Travelling Circus, screened on Channel Five. He was supervising director on 100 episodes of Ragdoll’s hugely successful production ‘Twirlywoos’ for the BBC. Commercials and other work. Since 1986, Barry has directed and animated some 70 commercials, title sequences and animation inserts for films and pop promos, through Aardman Animation, Redwing, overseas agencies, the BBC, and through his own company, Bare Boards. He has also made a film with the animators at Staffordshire University based on Britten’s Young Person’s Guide to the Orchestra.

(source: https://barrypurves.com/)

Film reviews excerpts:

Barry Purves’ latest animated commission follows Achilles, the Greek Warrior and champion, and his impetuous lover, Patrolcus, in their struggle to overrun Troy. The splendidly visual film uses ten puppets modelled on classical Greek sculputres acting against large fragments of specially commisssioned ceramics. The light and shadow, combined with Derek Jacobi’s narration and Nigel Hess’s evocative score ensure that this an atmospheric account of an enduring myth. (The Observer)

But the best program of all is ’Puppetoons; Dolls and Animation’. I’ve never seen such meticulously crafted work. Particularly dazzling is Achilles, which moves familiar myth into epic romance. ’What makes a leader of men, the armour or the heart?’ You go Greek girl! (New York Time Out)

Barry Purves is a creative expert of stop frame animation, but don’t expect this to be the sort of cosy yarn you’d see during Children’s hour. His commission for Channel Four’s gay season is definitely adult drama, Set during the seige of Troy, it charts Achilles’ passionate relationship with his greek comrade, Patrolcus, as told in Homer’s Iliad and includes scenes of remarkably animated rumpy pumpy. However Purves’ puppets tackle these grown up themes with balletic grace and operatic gravity. Jason and the Argonauts was nver like this. (Daily Mail)

Awards

Brazil - Melhor Animacao - Best film - 1998
Carolina Film festival - Prize for technical Excellence - 1998
Animexpo, Korea - Special Jury Prize - 1997
Barcelona Film Festival - Audience Prize - 1996
Florida Film festival - Animation Prize - 1996
Hiroshima - special Jury Prize - 1996
Dresden - Second Prize - 1996
Turin gay and Lesbian festival - Audience Prize - 1996
BAFTA - Short animation nomination - 1996
Leipzig - Golden Dove Award - 1995
Anima Tereul - Best traditional Film - 1995
Bilbao - Silver Medal for Animation – 1995

Pekarna Magdalenske mreže Maribor
© StopTrik

Saturday, March 12, 2005

Rigoletto (1993 Barry Purves puppet animation)


Barry Purves: Rigoletto (GB 1993).

Operavox S1.E3. Rigoletto
    GB © 1993 Bare Boards for S4C and BBC2. D: Barry J. C. Purves. M: Giuseppe Verdi. 30 min. Puppet animation. Episode aired 24 Feb 1995. Looked like a film transfer from video. In English, sous-titres français. Viewed at Plevna 6, Tampere Film Festival, 12 March 2005. The programme text: "Rigoletto, the pimp for the Duke of Milan, tries in vain to keep his daughter from the debauchery of the corrupt court. A sinister visualization of Giuseppe Verdi's opera situated in Italy in the 16th century. A part of a BBC television series Operavox which consisted of six half-an-hour opera adaptations". A fresh, bold approach to the opera, in lurid colour, grotesque style, in a world of horror, laced with sex and gore. The excellent musical arrangement conveys the beauty and power of Verdi. "Questa di cella", "La donna è mobile", "Bella figlia dell'amore", etc. in English.

...
IMDb: "Filmed in a converted railway arch in Aardwick, Manchester, UK. Director and Animator Barry Purves single-handedly animated all the stop-motion action during the 32-week shoot. Sometimes there were up to 75 puppets in a single shot."

Jonathan Summers / Rigoletto (voice)
Rosemary Joshua / Gilda (voice)
Anthony Mee / The Duke (voice)
Ashley Thorburn / Sparafucile (voice)
Julie Gossage / Maddalena (voice)
Mike Newman / Monterone (voice)
Yvonne Burnett / Giovanna (voice)
Ralph Hamer / Ceprano (voice)

Screen Play


Barry J. C. Purves: Screen Play (GB 1992).

Tarina vainotusta rakkaudesta. GB © 1992 Channel Four. PC: Bare Boards. D: Barry J. C. Purves. 5'. Puppet animation. E-subtitles in Finnish. Viewed at Plevna 6, Tampere Film Festival, 12 March 2005. The programme text: "An old Japanese man becomes emotionally involved with recollections of his youth. A traditional Kabuki tragedy about the impossible romance between upper-class Takako and the peasant Nayoki". A violent, forceful tribute to traditional Japanese imagery.