Sunshine

DE/AT/CA/HU (c) 1999 [many production companies]. P: Andras Hamori, Robert Lantos. D: István Szabó. SC: István Szabó, Israel Horovitz. DP: Lajos Koltai - colour and black & white (archival footage) - 1,85:1. M: Maurice Jarre. Egmont overture by Beethoven. PD: Attila Kovács. AD: Zsuzsanna Borvendég. COST: Györgyi Szakács. ED: Michal Arcand. CAST: Ralph Fiennes (Ignatz Sonnenschein / Adam Sors / Ivan Sors), Jennifer Ehle (Valerie Sonnenschein as a young woman) Rosemary Harris (Valerie Sors as a grown-up woman), Rachel Weisz (Greta), Deborah Kara Unger (Maj. Carole Kovacs), John Neville (Gustave Sors as an old man), Miriam Margolyes (Rose Sonnenschein), Rüdiger Vogler (Gen. Jakofalvy), Hanns Zischler (Baron Margitta), Mari Töröcsik (Older Kato), William Hurt (Andor Knorr). 181 min. A Filmunio print, original in English, viewed at Cinema Orion, Helsinki, 12 June 2009. - Print with beautiful colour, pleasant photochemical look, wear and tear in changeovers. - One of the essential films by István Szabó, one of the essential Jewish films of all time, an essential film of reckoning with the Eastern European past, celebrating the 20th anniversary of the fall of the wall. - It is the story of a hundred years in three generations of the Sonnenschein / Sors family. It starts from the shtetl, the family patriarch the inventor of a herbal liquor. Ignatz becomes a judge, and has to change his name. His son Adam becomes an Olympic fencer, and has to convert to Catholicism. That does not prevent him from becoming a victim of the Holocaust. His son Ivan becomes a police officer in Socialist Hungary, to bring the fascists to justice. But witnessing the crimes of Stalinism and the bloody repression of the people's uprising of 1956 he turns his back to the new system. - A unique attempt to cover honestly the various totalitarian administrations in Hungary. - As a Jewish film, it is about the tragedy of forced assimilation and persecution. The Holocaust episode belongs to the most harrowing in the history of the cinema. - Among the recurrent motifs: the lost recipe notebook, the grandfather's watch, the splinters. - Towards the end of the film certain lessons first mentioned in the start get new resonance. "We are afraid to see clearly and to be seen clearly". "If you struggle for acceptance, you'll always be unhappy". "You are not in prison, they are in prison". "One day I'll wipe that smile off your face". "I'm not anybody's wife, I'm myself". - The finest sequence: the 1956 uprising edited to the rhythm of Beethoven's Egmont overture. - There are gorgeous female roles in the film, and especially the scenes with the bright Jennifer Ehle radiate with intelligence, courage, sensuality and frank sexuality. - Rachel Weisz would have deserved more screen time, but of course the film is long as it is. Rosemary Harris is excellent as the grown-up Valerie. - Although Ralph Fiennes in his triple role portrays the three main characters, finally, Valerie is the soul and heart of the film, the only one who never loses her inner compass. - A film I decided I want to see again even while still watching it.

Being Julia

CA/GB/HU © 2004 2024846 Ontario, Inc. / Being Julia Productions Limited / ISL Film Kft. Serendipity Point Films presents. P: Robert Lantos. D: István Szabó. SC: Ronald Harwood – based on the novel by W. Somerset Maugham (Theatre, 1937, in Finnish Näyttelijätär 1951 J.A. Hollo / Otava, 5. ed. 2005). DP: Lajos Koltai – colour: DeLuxe – 1,85:1. AD: Luciana Arrighi. COST: John Bloomfield. Make-up: Erzsébet Forgács. M: Mychael Danna. S: Jane Tattersall. ED: Susan Shipton. CAST: Annette Bening (Julia Lambert), Jeremy Irons (Michael Gosselyn), Bruce Greenwood (Lord Charles), Miriam Margolyes (Dolly de Vries), Juliet Stevenson (Evie), Shaun Evans (Tom Fennel), Lucy Punch (Avice Crichton), Tom Sturridge (Roger Gosselyn), Maury Chaykin (Walter Gibbs), Sheila McCarthy (Grace Dexter), Rosemary Harris (Julia's aunt), Rita Tushingham (Aunt Carrie). 103 min. A print with Finnish / Swedish subtitles by Sanna Manninen / Hellevi Raita. Viewed at Cinema Orion, 11 June 2009. - A print without joins or scratches but with a digital intermediate look. - A great satire about the theatre, show business, and actors. - Annette Bening is wonderful as the narcissistic theatre diva approaching the age of 50. There is a grand finale in which she faces all the disasters and overcomes them (for the time being) in magnificent theatrical manner. - Mychael Danna's music is very appealing, spiced with 1930s hit songs. - This film belongs to the same tradition as All About Eve: Annette Bening invites comparison with Bette Davis, and Lucy Punch gets the role of Eve. - The victory belongs to Julia Lambert, the character played by Annette Bening. But the most cutting criticism Julia receives from her own son, who accuses her mother that she "does not exist", and that all that she has to say is second hand.

Bizalom

Luottamus / Förtroende. HU 1979. PC: Objektiv Filmstudio. D+SC: István Szabó. DP: Lajos Koltai. CAST: Ildikó Bánsági (Kata), Péter Andorai (Janos). 117 min. A Filmunio print with English subtitles. Viewed at Cinema Orion, 5 June 2009. - A worn print, turned red, shortened by 10 min and badly battered in previous venues. - Revisited: an intensive chamber piece that I had previously seen only on tv, very tired. - One of Szabós best films, still strong, it has stood the test of time well. - Life during the final period of the Nazi occupation in Budapest, when the terror and the persecution were at their worst. This is, however, not a Holocaust story. It's the personal story of the wife of a resistance fighter, who has to lead a double life during the final year of the Nazi occupation. She has to assume a false identity, living in isolation in a room with a fake husband, also a Resistance fighter. - It is about the constant fear of the small detail giving one away. - Elliptic montage. - Ildikó Bánsági has the same kind of nobility in her demeanour as Ingrid Bergman. - Life under extreme pressure. "It does not matter where you are as long as you are at ease with yourself". - This is also an erotic film: sex with the perfect stranger. The sex scenes belong to the best in the history of the cinema, thanks to Ildikó Bánsági's delicate candour. - After the liberation the terror and the persecution start again under a different banner.