Muuttolinnun aika

Flyttfågelns tid / [A Bird of Passage] / Katja's Autumn. FI 1991. PC: Reppufilmi. P: Petra Tarjanne. D+SC: Anssi Mänttäri. DP: Heikki Katajisto. M: Asko Mänttäri. ED: Timo Linnasalo. CAST: Antti Litja (Ossi Eerola), Hanna Manu (Katja), Kari Heiskanen (Pekka), Liisa Halonen (Merja), Tarja Markus (Mirjami). 94 min. A KAVA print viewed at Cinema Orion, 16 May 2009. In the presence of Timo Linnasalo, interviewed by Markku Varjola. - A print with good definition of light and colour. - The editor Timo Linnasalo gave us an account of the Reppufilmi company. "I participated in ca 15 productions of Anssi Mänttäri, including for tv the Jorma Laine series and the Hanhivaara series. Anssi never shot too much footage." - Revisited the story of a daughter who is growing up and a father who lost her in a divorce long ago. Perfect strangers, they hardly get to know another. - This is a comedy of embarrassment. The daddy's miserable collection of records. The photo album which becomes empty after the divorce. - The neighbours with their hidden secret, which is revealed in the beginning: their baby has incurable cancer. - It is surprising that this film seems clearly better now than then, there is nothing trivial in it. - A fine, strong scene where the restaurant boss tries to pressure the young Katja into sex, and she holds her own. - After many blunders Ossi is on the verge of getting to know Katja, but when he comes home there is a letter to him: "You will never learn anyway".

Rakkauselokuva

En kärleksfilm / [A Love Film] / Nothing But Love. FI 1984. PC: Reppufilmi. P+D+SC: Anssi Mänttäri. DP: Heikki Katajisto - colour - 1,66:1. M: Fernando Sur, Anssi Tikanmäki, Asko Mänttäri. CAST: Liisa Halonen (Raija Torniainen, air hostess), Antti Litja (Kalle = Kalevi Karlsson, architect), Markku Toikka (Hanski = Hannu Torniainen, construction engineer). 73 min. A KAVA print with Swedish subtitles viewed at Cinema Orion, 15 May 2009. In the presence of Markku Toikka, interviewed by Markku Varjola. - I watched just the beginning of the film. The print had scratches at least in the start. I saw the couple's attempt at making a baby, the husband Hanski's trouble in performance and sperm count ("can't do this by force"). In a party, Raija meets Kalle, an unknown, whose first words are: "Forget that man and follow me to disaster". - From Markku Toikka's long and interesting introduction: "In Anssi Mänttäri's films the actor is king. There is but a skeleton crew: the director, the cinematographer, the soundman, the lighting man." "Eero Tuomikoski taught me that in the circus you don't put two elephant numbers after another." "The actor needs to undress. He must become a perfect interpreter for the character he is playing. He needs to eliminate himself." MV: Actors are usually narcissists. You are an anti-narcissist. "We did not have many takes. Often just one take. The first take is always the best." "In a film there may be that one moment, light as a butterfly, when you forget the actor and just follow the character." "Liisa Halonen we loved. She had been a tv announcer, the most cordial person, a wonderful human being." "Antti Litja is a fine Finnish film actor. His authenticity, his credibility is astounding." "This was the time of the basement gang, Filmtotal." "We were penniless. We lived together with Matti Pellonpää in another basement on Kristianinkatu. Upstairs there was a printing press which ground porn mags at night. We threw parties downstairs." MV: you are a top comedian. Why do they always choose you for the most desperate roles, which include angst and suicide? "The minor key is hidden in a comedian's deepest being. The greatest comedians are tragic. Mikko Kivinen. Comedy is born out of failure." - I was too tired to see but the beginning of the film. - About the rest I read from Suomen kansallisfilmografia. The press release states: "This is a comedy about grown-ups falling in love, a pensive smile, the despair of an infertile man, the tragedy of a childless woman, a marriage tale, the solitude of a divorced man, a promise of tomorrow, the brusqueness of the civil servant, a triangle drama." - I read from the synopsis that Kalle, a divorced father of a 16-year-old son, makes Raija pregnant, but Raija and Hanski stay together. Kalle informs Raija of his plan to slowly kill himself by drinking, although the process is slow and uncertain. Kalle refuses to grant Raija her wish that he would recite her a poem and walks away.

Macbeth (Pauli Pentti 1987)

Macbeth / Macbeth. FI 1987. PC: Villealfa. P: Aki Kaurismäki. D+SC: Pauli Pentti - based on Shakespeare's play (1606). DP: Olli Varja. M: Mikko Mattila, Tapio Siitonen (synthetizators). Verdi: Aida. "Love Me Or Leave Me" performed by Mari Rantasila (voc), Eero Raittila (piano). ED: Timo Linnasalo. Starring Markku Valtonen (Macbeth), Pirkko Hämäläinen (Lady), Antti Litja (Dunkku / Duncan), Pertti Sveholm (Bankko / Banquo), Paavo Piskonen (porter). 66 min. Viewed at Cinema Orion, Helsinki, 14 September 2008. - In the presence of Pauli Pentti interviewed by Markku Varjola. PP had known Aki Kaurismäki since the school days, both always avid film buffs. There was the playful idea of a Shakespeare trilogy, of which Aki directed Hamlet Goes Business, and Pauli, Macbeth. The third project, Mänttäri's Lear, never got off the ground. It was a consciously downgraded project. Markku Valtonen as Macbeth was famous from the Sleepy Sleepers (soon to be transformed into Leningrad Cowboys) and the Radio City show Pullakuskit (Bun Drivers). - Deadpan modernization turning the Macbeth plot into the present-day gangster world in Finland, shot in Helsinki, Savonlinna Opera Festival, and London. The anti-realistic gangster ambience is based on the films of Melville and Godard. The blunt dialogue is intentionally comic and made the audience laugh in the right places. The men carry sunglasses at all times. - The Lady goes mad and walks into the sea. Macbeth has been warned that the Pihlajasaari island will attack him, and finally, a vessel masked as a forest approaches. - This is one of the Villealfa films which had a similar ambience with the later Tarantino films (his company called A Band Apart, both companies' names are tributes to Godard).

Lain ulkopuolella

[Outside the Law] / Utanför lagen. FI 1987. PC: Filminor. P: Heikki Takkinen. D: Ville Mäkelä. SC: Olli-Pekka Parviainen. DP: Olli Varja. Theme song: "Sinun omasi" (Rami Sarmasto, Tamara Lund) sung by Tamara Lund. ED: Timo Linnasalo. Sound: Matti Kuortti. Starring Taneli Mäkelä (Sakari Nevalainen), Kari Heiskanen (Jari Jokela), Pirjo Luoma-aho (Saara Nevalainen), Antti Litja (Antti Kaitanen), Jouko Klemettilä (attorney Holmström), Leena Huotila (Mrs. Kaitanen). 84 min. Viewed at Cinema Orion, Helsinki, 13 September 2008. - The 25th Anniversary Film of Filminor. - In the presence of Ville Mäkelä, Timo Linnasalo, Matti Kuortti, interviewed by Markku Varjola. The only cinema film directed by Ville Mäkelä: "I made the mistake of switching into this horrible industry. Nice images for stupid stories. There was a pre-existing screenplay by Olli-Pekka Parviainen. I'm not attracted to scandal. My trusted man was brother Taneli, his friend was Kari Heiskanen, we played hockey, trained a lot. When Antti Litja was hired he had terms of his own. The film was important for him, released something in him. All locations are real." - TL: there was a chronological version first, but part of the crucial court scene was switched to the beginning on the suggestion of Antti Peippo. - VM: "The starting point was the question of taking justice into one's own hands. Rape was invented afterwards. The question of the rape is not treated properly. But it was based on Pirkko Viitala's research: rape is less a matter of sex than humiliation and degradation. Pentti Siimes refused the part of the rapist: there is enough injustice in the world, and I don't want to deal with it more." Ville Mäkelä summed up "that these were not stories for me, I did them as well as I could, but it was not from the heart". - After this introduction we saw the film that is taut and compelling. Saara Nevalainen is raped, but the rapist, Antti Kaitanen, is not convicted, as there is not enough evidence, and the whole process is extremely humiliating both for Saara and her husband Sakari. Unfortunately, there is Saara's hothead brother Jari, who provokes Sakari with him to take justice in their own hands. Mrs. Kaitanen finally confesses to the police that she had given false alibi to her husband, and she herself knows her husband to be guilty. But Jari is killed by a police sharpshooter, and Sakari gets a heavy sentence while Antti Kaitanen gets a mild one. Sakari is even committed to a prison for the mentally ill. - This is a strong and thought-provoking film, psychologically believable, and important as a social film, as it shows how justice can be derailed. Also the theme of rape is very responsibly presented, with its terrible repercussions in two families.

Huhtikuu on kuukausista julmin / April is the Cruellest of Months

April är grymmast av månader. FI 1983. PC: Reppufilmi. P: Anssi Mänttäri. D+SC: Suvi-Marja Korvenheimo (= Mänttäri). Ass. D+co-DP: Heikki Katajisto. DP: Eero Salmenhaara. Theme song: J. Karjalainen. M also: Erik Satie, P.I. Tchaikovsky. Starring: Antti Litja (Olli), Markku Toikka (Unto), Marianne Anttila (Sari Helkama), Paavo Piskonen (Leevi), Liisa Halonen (Raija), Olli Tuominen (critic Veiviäinen), Mikko Majanlahti (artist professor Mikkonen), Aki Kaurismäki (Ville Alfa), Lauri Kanerva (provincial author Maaselkä), Rea Mauranen (woman expressing grief), Jone Takamäki (policeman), Päivi Istala (radio journalist). 74 min. Viewed at Cinema Orion, Helsinki, 12 September 2008.

In the presence of Anssi Mänttäri, Heikki Katajisto, Paavo Piskonen, Päivi Istala.

AM, HK: The annoying visual look was based on Eero Salmenhaara overdoing his concept of a soft lens, distancing himself from naturalism. - AM: there were no makings for a trilogy in the Suvi-Marja Korvenheimo films. - AM: The Women's Rights Society Union's director was reportedly delighted by the vision of the "woman director": "when a woman makes a film we all get to see what pigs men are".

AA: The film is a parody of certain cultural circles of Helsinki, and some of the characters have obvious models. Olli is based on Hannu Salama, Leevi on Leo Lindsten, and Mikkonen on Mikko Niskanen. I could not help laughing at the juicy performance of Mikko Majanlahti as Mikkonen. The film got a good laughing response from the audience. - In the final scene on the deserted beach Ville Alfa (Aki Kaurismäki) asks about the secret of success from the alcoholic pig Olli (Antti Litja). The answer: "Booze and short sentences".