Monday, March 16, 2026

The 98th Academy Awards | 2026 (honoring movies released in 2025)

 
The 98th Academy Awards | 2026. Dolby Theatre at Ovation Hollywood, Sunday, March 15, 2026. Photo © 2026 Academy of Motion Picture Arts and Sciences.

The 98th Academy Awards | 2026
Dolby Theatre at Ovation Hollywood
Sunday, March 15, 2026
Honoring movies released in 2025

WINNERS & NOMINEES

Actor in a Leading Role
Winner: Michael B. Jordan / Sinners
Nominees
Timothée Chalamet / Marty Supreme
Leonardo DiCaprio / One Battle after Another
Ethan Hawke / Blue Moon
Wagner Moura / The Secret Agent

Actor in a Supporting Role
Winner: Sean Penn / One Battle after Another
Nominees
Benicio Del Toro / One Battle after Another
Jacob Elordi / Frankenstein
Delroy Lindo / Sinners
Stellan Skarsgård / Sentimental Value

Actress in a Leading Role
Winner: Jessie Buckley / Hamnet
Nominees
Rose Byrne / If I Had Legs I'd Kick You
Kate Hudson / Song Sung Blue
Renate Reinsve / Sentimental Value
Emma Stone / Bugonia

Actress in a Supporting Role
Winner: Amy Madigan / Weapons
Nominees
Elle Fanning / Sentimental Value
Inga Ibsdotter Lilleaas / Sentimental Value
Wunmi Mosaku / Sinners
Teyana Taylor / One Battle after Another

Animated Feature Film
Winner: KPop Demon Hunters – Maggie Kang, Chris Appelhans and Michelle L.M. Wong
Nominees
Arco / Ugo Bienvenu, Félix de Givry, Sophie Mas and Natalie Portman
Elio / Madeline Sharafian, Domee Shi, Adrian Molina and Mary Alice Drumm
Little Amélie or the Character of Rain / Maïlys Vallade, Liane-Cho Han, Nidia Santiago and Henri Magalon
Zootopia 2 / Jared Bush, Byron Howard and Yvett Merino

Animated Short Film
Winner: The Girl Who Cried Pearls – Chris Lavis and Maciek Szczerbowski
Nominees
Butterfly / Florence Miailhe and Ron Dyens
Forevergreen / Nathan Engelhardt and Jeremy Spears
Retirement Plan / John Kelly and Andrew Freedman
The Three Sisters / Konstantin Bronzit

Casting
Winner: One Battle after Another – Cassandra Kulukundis
Nominees
Hamnet / Nina Gold
Marty Supreme / Jennifer Venditti
The Secret Agent / Gabriel Domingues
Sinners / Francine Maisler

Cinematography
Winner: Sinners – Autumn Durald Arkapaw
Nominees
Frankenstein / Dan Laustsen
Marty Supreme / Darius Khondji
One Battle after Another / Michael Bauman
Train Dreams / Adolpho Veloso

Costume Design
Winner: Frankenstein / Kate Hawley
Nominees
Avatar: Fire and Ash / Deborah L. Scott
Hamnet / Malgosia Turzanska
Marty Supreme / Miyako Bellizzi
Sinners / Ruth E. Carter

Directing
Winner: One Battle after Another / Paul Thomas Anderson
Nominees
Hamnet / Chloé Zhao
Marty Supreme / Josh Safdie
Sentimental Value / Joachim Trier
Sinners / Ryan Coogler

Documentary Feature Film
Winner: Mr. Nobody against Putin / David Borenstein, Pavel Talankin, Helle Faber and Alžběta Karásková
Nominees
The Alabama Solution / Andrew Jarecki and Charlotte Kaufman
Come See Me in the Good Light / Ryan White, Jessica Hargrave, Tig Notaro and Stef Willen
Cutting through Rocks / Sara Khaki and Mohammadreza Eyni
The Perfect Neighbor / Geeta Gandbhir, Alisa Payne, Nikon Kwantu and Sam Bisbee

Documentary Short Film
Winner: All the Empty Rooms / Joshua Seftel and Conall Jones
Nominees
Armed Only with a Camera: The Life and Death of Brent Renaud / Craig Renaud and Juan Arredondo
Children No More: "Were and Are Gone" / Hilla Medalia and Sheila Nevins
The Devil Is Busy / Christalyn Hampton and Geeta Gandbhir
Perfectly a Strangeness / Alison McAlpine

Film Editing
Winner: One Battle after Another / Andy Jurgensen
Nominees 
F1 / Stephen Mirrione
Marty Supreme / Ronald Bronstein and Josh Safdie
Sentimental Value / Olivier Bugge Coutté
Sinners / Michael P. Shawver

International Feature Film
Winner: Norway / Sentimental Value
Nominees
Spain / Sirāt
Tunisia / The Voice of Hind Rajab

Live Action Short Film
Winner: The Singers / Sam A. Davis and Jack Piatt
Winner: Two People Exchanging Saliva / Alexandre Singh and Natalie Musteata
Nominees
Butcher's Stain / Meyer Levinson-Blount and Oron Caspi
A Friend of Dorothy / Lee Knight and James Dean
Jane Austen's Period Drama / Julia Aks and Steve Pinder

Makeup and Hairstyling
Winner: Frankenstein / Mike Hill, Jordan Samuel and Cliona Furey
Nominees
Kokuho / Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
Sinners / Ken Diaz, Mike Fontaine and Shunika Terry
The Smashing Machine / Kazu Hiro, Glen Griffin and Bjoern Rehbein
The Ugly Stepsister / Thomas Foldberg and Anne Cathrine Sauerberg

Music (Original Score)
Winner: Sinners / Ludwig Goransson
Nominees
Bugonia / Jerskin Fendrix
Frankenstein / Alexandre Desplat
Hamnet / Max Richter
One Battle after Another / Jonny Greenwood

Music (Original Song)
Winner: Golden / from KPop Demon Hunters; Music and Lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park
Nominees
Dear Me / from Diane Warren: Relentless; Music and Lyric by Diane Warren
I Lied To You / from Sinners; Music and Lyric by Raphael Saadiq and Ludwig Goransson
Sweet Dreams Of Joy / from Viva Verdi!; Music and Lyric by Nicholas Pike
Train Dreams / from Train Dreams; Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave

Best Picture
Winner: One Battle after Another / Adam Somner, Sara Murphy and Paul Thomas Anderson, Producers
Nominees
Bugonia / Ed Guiney & Andrew Lowe, Yorgos Lanthimos, Emma Stone and Lars Knudsen, Producers
F1 / Chad Oman, Brad Pitt, Dede Gardner, Jeremy Kleiner, Joseph Kosinski and Jerry Bruckheimer, Producers
Frankenstein / Guillermo del Toro, J. Miles Dale and Scott Stuber, Producers
Hamnet / Liza Marshall, Pippa Harris, Nicolas Gonda, Steven Spielberg and Sam Mendes, Producers
Marty Supreme / Eli Bush, Ronald Bronstein, Josh Safdie, Anthony Katagas and Timothée Chalamet, Producers
The Secret Agent / Emilie Lesclaux, Producer
Sentimental Value / Maria Ekerhovd and Andrea Berentsen Ottmar, Producers
Sinners / Zinzi Coogler, Sev Ohanian and Ryan Coogler, Producers
Train Dreams / Marissa McMahon, Teddy Schwarzman, Will Janowitz, Ashley Schlaifer and Michael Heimler, Producers

Production Design
Winner: Frankenstein / Production Design: Tamara Deverell; Set Decoration: Shane Vieau
Nominees
Hamnet / Production Design: Fiona Crombie; Set Decoration: Alice Felton
Marty Supreme / Production Design: Jack Fisk; Set Decoration: Adam Willis
One Battle after Another / Production Design: Florencia Martin; Set Decoration: Anthony Carlino
Sinners / Production Design: Hannah Beachler; Set Decoration: Monique Champagne

Sound
Winner: F1 / Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta
Nominees
Frankenstein / Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern
One Battle after Another / José Antonio García, Christopher Scarabosio and Tony Villaflor
Sinners / Chris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker
Sirāt / Amanda Villavieja, Laia Casanovas and Yasmina Praderas

Visual Effects
Winner: Avatar: Fire and Ash / Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
Nominees
F1 / Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson
Jurassic World Rebirth / David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould
The Lost Bus / Charlie Noble, David Zaretti, Russell Bowen and Brandon K. McLaughlin
Sinners / Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean

Writing (Adapted Screenplay)
Winner: One Battle after Another / Written by Paul Thomas Anderson
Nominees
Bugonia / Screenplay by Will Tracy
Frankenstein / Written for the Screen by Guillermo del Toro
Hamnet / Screenplay by Chloé Zhao & Maggie O'Farrell
Train Dreams / Screenplay by Clint Bentley & Greg Kwedar

Writing (Original Screenplay)
Winner: Sinners / Written by Ryan Coogler
Nominees
Blue Moon / Written by Robert Kaplow
It Was Just an Accident / Written by Jafar Panahi; Script collaborators – Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian
Marty Supreme / Written by Ronald Bronstein & Josh Safdie
Sentimental Value / Written by Eskil Vogt, Joachim Trier

Source: © 2026 Academy of Motion Picture Arts and Sciences

Sunday, March 15, 2026

Simone Veil. Mes sœurs et moi / Simone Veil. My Sisters and I (2026 exhibition at le Mémorial de la Shoah)

 

The book to the exhibition. David Teboul (coordination éditoriale):  Simone Veil : Mes soeurs et moi : L'exposition. Éditions Les Arènes 380 pages, 5 février 2026. Publicity: "Ce livre propose une immersion visuelle exceptionnelle dans le plus vaste fonds d’archives jamais réuni sur Simone Veil. La mise en page, radicalement contemporaine et sensible, met en lumière plus de 1 400 documents : photographies d’archives, objets, albums de famille, lettres inédites, images personnelles jamais publiées… Grâce au concours exceptionnel du Mémorial de la Shoah, partenaire de l’ouvrage, ce trésor iconographique prend vie sous nos yeux."

Simone Veil. Mes sœurs et moi
Exposition mardi 10 février 2026 – jeudi 15 octobre 2026
Commissaire de l’exposition : David Teboul
Coordination générale :
Agence Eva Albaran : Tatiana Titli, Louise Riou
Mémorial de la Shoah: Clara Lainé, Sophie Nagiscarde
Scénographie : Cécile Degos
Graphisme : Eric Pillaut
Programmation autour de l’exposition : Julie Maeck, Pauline Dubuisson, Louise Gurman-Dessauce
    Mémorial de la Shoah, 17, rue Geoffroy l’Asnier, 75004 Paris. Le Mémorial de la Shoah est ouvert du dimanche au vendredi. L’accès au Mémorial est gratuit sans réservation.
    Visited on Sunday, 15 March 2026

OFFICIAL: " Simone Veil. Mes soeurs et moi plonge au coeur de l’intimité de la fratrie Jacob, dont le destin fut bouleversé par la guerre. On y découvre une Simone Veil souriante et insouciante, loin des représentations figées de la femme d’État. "

" Conçue par David Teboul et inspirée de l’ouvrage et du film éponymes qu’il a réalisés, l’exposition prolonge le travail de l’auteur autour de la mémoire et de la transmission. Elle repose sur des extraits de correspondances, journaux intimes et récits et dévoile des photographies issues des archives des familles Jacob et Vernay. "

" Les trois soeurs Jacob, Madeleine (dite Milou), Denise et Simone grandissent à Nice, dans les années 1920, au sein d’une famille juive française. Leur enfance heureuse est peu à peu bouleversée par les crises économiques et politiques des années 1930, puis par l’Occupation et les persécutions antisémites. "

" Denise s’engage dans la Résistance et sera déportée à Ravensbrück. Simone, Milou, Jean et leur mère Yvonne sont arrêtés. Les trois femmes sont déportées à Auschwitz au printemps 1944. Yvonne meurt à Bergen-Belsen ; Milou revient affaiblie, Simone survit. Leur père André et leur frère Jean, déportés en 1944 par le convoi 73, ne reviendront pas. "

" À travers les écrits et les photographies conservés par la famille, les entretiens réalisés par David Teboul, et les voix des comédiennes Isabelle Huppert, Marina Fois et Dominique Reymond, l’exposition restitue le parcours des sœurs Jacob, de l’insouciance niçoise à la reconstruction d’après-guerre. "

" Ces archives personnelles éclairent l’expérience de la Shoah à travers le regard de jeunes femmes et interrogent la manière dont se tissent mémoire intime et histoire collective. "

" Réalisateur et photographe, David Teboul est l’auteur du documentaire Simone Veil, une histoire française et du livre Simone Veil, Mes sœurs et moi. Son travail explore la mémoire et la transmission à travers des récits personnels. "

DENISE VERNAY (la sœur de Simone Veil, née Denise Jacob) :
" Tout a commencé lorsque Simone me dit un jour : " Mais, au fond, qu'est-ce que tu as fait, dans la Résistance ? " J'ai pensé que vous non plus, vous n'en saviez pas grand-chose, et qu'il était temps pour moi de vous raconter un peu de cette guerre, la vraie guerre, pas la " guerre des étoiles " à laquelle vous assistez aujourd'hui.
" Ma " guerre se déroula entre 1939 et 1945. "
Denise, Paris, 1988

AA: Simone Veil (1927–2017, born Simone Jacob) was a French national heroine. As Minister of Social Affairs, Health and Urban Issues, she championed women's rights and pursued the 1975 law legalising abortion, known as Loi Veil (the Veil Act). In 1979, she became the first woman elected President of the European Parliament. She also served at France's Constitutional Council, the highest legal authority of the country and as president of the Foundation pour la Mémoire de la Shoah. She was a member of the Académie Française, received the grand cross of the Légion d'honneur and was interred at the Panthéon together with her husband Antoine Veil.

The exhibition explores the story of the family Jacob, the happy days of the four siblings, Madeleine (Milou), Denise, Jean and Simone in Nice. The family Jacob was openly Jewish but atheist. They were proud of their identity as the people of the Book. During the Nazi occupation of France, the family stayed in Nice, which became a part of the Italian occupation zone. Gradually the Jacobs had to split up and live under assumed names. Denise joined the armed resistance in Lyon. In 1943, Germany took over the Italian occupation zone. Simone still managed to pass her baccalauréat under her real name in March 1944. The next day, the members of the family Jacob were arrested by the Gestapo. Simone's father and brother were deported to the Baltic states and never seen again. Denise was sent to the Ravensbrück concentration camp. Simone, Madeleine and their mother arrived at Auschwitz from where they were sent on the death march to Bergen-Belsen, after which the mother died but the sisters survived.

The exhibition tells an engrossing story about the twentieth century, a genocide survivor growing up to become a builder of modern France and a reborn Europe. The story of the Occupation and the experience of the concentration camps is horrible, but the most bitter moment for me is the homecoming. People are shocked that the sisters have returned. The remaining family is not warmly welcomed. Simone looks at herself in a broken mirror. 

Under the direction of David Teboul, the balance of the exhibition is dominated by love, not hate. The love, the joy and the happiness of the Jacob family give them the strength, the willpower and the life force to survive. Based on a rich trove of family correspondence, authentic words dominate the experience, much in the voice of Simone Veil, complemented by the actresses Isabelle Huppert, Marina Fois et Dominique Reymond reading the testimonies of Denise and Madeleine.

Saturday, March 14, 2026

Leonora Carrington (2026 exhibition at the Musée du Luxembourg, Paris)


Journal de l'exposition: Leonora Carrington (2026). Cover art: a detail from: Leonora Carrington: Levitasium (1950). Huile sur toile. 55,2 x 30,1 cm. Frahm Collection.

Art in the poster: Leonora Carrington: Le Bon Roi Dagobert (Elk Horn), 1948 © Estate of Leonora Carrington / ADAGP, Paris.

Hermann Landshoff: Portrait of Leonora Carrington in her apartment at Greenwich Village around 1942. © BPK Berlin, dist. GrandPalaisRmn, image Archiv Landshoff.

Exhibition catalogue: Leonora Carrington. Musée du Luxembourg, Paris. Relié plein papier (PP). 21,5 × 28 cm. 208 pages. 160 illustrations. Ouvrage collectif, sous la direction de Tere Arcq et Carlos Martin. Only in a French edition. EAN : 9782711881550. Référence : EC408155. Cover art: a detail from: Leonora Carrington: Dando de comer a una mesa (1959). Huile sur toile, 57 x 70 cm. Collection particulière.

Roland Penrose: Four Women Asleep (Lee Miller, Ady Fidelin, Nusch Éluard, Leonora Carrington). At Lambe Creek, Cornwall, 1937. Print from colour reversal film. © Roland Penrose Estate, England 2020. Photo from: Roland Penrose  Objektiv Press (2024).

Leonora Carrington (exhibition from 18 February to 19 July 2026).
Co-organized by GrandPalaisRmn and Mondo Mostre. Curators: 
    Tere Arcq – Art historian, specialist in Surrealism in Mexico, and author of numerous exhibitions and publications on women Surrealists.
    Carlos Martín – Art historian, specialist in modern art and Surrealism, former curator at Fundación Mapfre (Madrid).
    Musée du Luxembourg, 19 rue de Vaugirard, 75006 Paris.
    Visited on Saturday, 14 March 2026

OFFICIAL: "Artist, feminist and avant-garde environmentalist, woman, mother, migrant, marked by mental illness and spiritual quest, Leonora Carrington left behind a legacy as extraordinary as it is radical."

"Born in 1917 in Lancashire, England, Leonora Carrington forged her identity through travel, both internal and external. From Florence to Paris, from the South of France to Spain, and finally to Mexico, where she became a cult figure, her extraordinary path nourished a body of work at the crossroads of surrealism, mythology, and esotericism."

"This exhibition, bringing together 126 works, is the first major exhibition in France devoted exclusively to Carrington’s work. It presents Carrington as a “Vitruvian Woman”: a total artist representing a model of harmony and innovation. Her creations merge human and animal, masculine and feminine, giving form to a world where metamorphoses and symbols respond to each other."

"Through a chronological and thematic approach, as well as a unique presentation of her diverse visionary creations, the exhibition explores the artist's main themes and interests: her discovery of classical Italian art in Florence during her adolescence, her fascination with the Renaissance, her Celtic and post-Victorian origins, and her involvement in surrealism during her stay in France."

"The exhibition thus highlights the exceptional legacy of this perpetual traveler, always in search of self-knowledge."

AA: The first monograph exhibition of Leonora Carrington in France is a major event. It has been mounted with loving care by the curators Tere Arcq and Carlos Martin at the Musée du Luxembourg.

The journey is chronological and geographical, and it takes us from the milieu of grand bourgeoisie in Lancashire to the circle of the surrealists in London, Saint-Germain-des-Près in Paris and Ardèche in Southern France. During the Nazi Occupation, Carrington escapes to Spain. A gang rape by Franco's soldiers leads her to a psychotic condition. She is confined to a mental hospital in Santander at the request of her parents. In 1942 she moves to Mexico with her husband Renato Leduc. In 1968 she and her sons move to the United States. She becomes a citizen of honour of Mexico City and an Officer of the Order of the British Empire. She is buried in the British cemetery of Mexico City.

But this exhibition is above all an inner journey, starting in the core of surrealism. Two years ago the centenary of surrealism was celebrated, prominently in Brussels in two giant exhibitions: International at the Musées royaux des Beaux-Arts de Belgique and Belgian at Bozar. In both, a male bias of the movement was evident, especially in the beginning. Female artists like Jane Graverol and Rachel Baes were acknowledged from the 1940s onwards.

The grand Leonora Carrington exhibition is for me a belated third part to the centenary celebration. She draws from her own dream world and is inspired by soulmates from art history including Botticelli and Bosch. She studies the Tibetan Book of the Dead and occult images from the fields of magic and alchemy, constantly expanding her imagination. She also becomes a devoted eco-feminist pioneer.

This is my introduction to Carrington, and I'm impressed by the grand arch of her development, the consistency and willpower in exploring the secret reaches of the imagination, constantly discovering something new while remaining true to herself, the resolve in fighting madness, violence and discrimination. I don't particularly care for the tarot universe. Some of the colour solutions feel forced. Among my favourites is Snake Bike Floripondio (1975, oil on canvas, 59,5 x 80 cm, Colección Pérez Simon), a subtle and haunting dream apparition.  Not all the best works are in the exhibition, for instance The House Opposite (1945, tempera on wood, 82 cm, West Dean College). I look forward to the next Leonora Carrington exhibition to see it and more.

The exhibition catalogue and journal are excellent keepsakes. The introductory texts are superb and the quality of the illustrations is high. After the formidable exhibition full of wild images it is a relief to meditate at the Salon de thé, Mademoiselle Angelina

OFFICIAL INTRODUCTION TO THE EXHIBITION CATALOGUE
"Figure majeure de l’art du xxe siècle, Leonora Carrington (1917-2011) a traversé frontières, continents et mouvements artistiques, laissant une œuvre aussi foisonnante qu’insaisissable. Née en Angleterre, formée entre Londres, Florence et Paris, elle rejoint l’avant-garde surréaliste avant de connaître l’exil, de l’Espagne à New York, puis de s’établir définitivement au Mexique, où elle est reconnue aux côtés de Frida Kahlo et de Remedios Varo. Entre mythes fondateurs et récits intimes, Carrington explore la métamorphose, le féminin sacré, la magie, l’alchimie et l’écologie, élaborant une cartographie intérieure nourrie de mythes celtiques, d’ésotérisme européen et de traditions spirituelles du monde entier. Ce catalogue accompagne la première grande rétrospective consacrée à l’artiste en France et offre une traversée sensible et éclairée de son œuvre, guidée par des spécialistes internationaux. Un voyage fascinant au cœur d’une imagination indomptable, libre et visionnaire."

SOMMAIRE
Carlos Martin: Nostalgie des rivages : une première maturité artistique
Tere Arcq: Le voyage de l’héroïne : une cartographie de l’âme
Gabriel Weisz Carrington: À la recherche du fantôme intérieur
Leonora Carrington: Animal humain femelle
    CATALOGUE DES ŒUVRES EXPOSÉES
Aux origines d’un Grand Tour intérieur
La Mariée du Vent : un voyage transnational à travers le surréalisme
Dépaysement : mémoire des origines, nostalgie des rivages
Le voyage de l’héroïne
L’obscurité lumineuse
La cuisine alchimique
    Susan L. Aberth: Percer le voile : les manœuvres rituelles
    Kristoffer Noheden: Leonora Carrington et le nouveau mythe
    Karla Segura Pantoja: Humour hyénique et transgression féministe
ANNEXES
Chronologie
Bibliographie
Liste des œuvres exposées reproduites